The dictatorship of the bourgoise melodrama stage has been an inspiration to living theatre, Brecht, Boal, and many. By combining the poetics of storytelling, digital narrative and network performing, the ghostly streets of Second Life become an open stage where the practice of everyday life becomes the raw material for political intervention thru classical drama, literature and net.art techniques. It is time for the triple alienation of the cyburbian multitudes!
Second Life's publicity is generated outside of the internet based on old media PR, circumventing the rest of the net. It is a newbie honeypot, or a themepark for cyberspace history most of all it is a "opera buffa" a theater of vulgarities, and shallow motivations, certainly more reality than what the cultural institution of the theatre has to offer today.
In our first 2 hour practise meeting we want to discuss possibilities of stage design, choreographic moves, myths and topoi, requisites and figurines, sketches of existing 3d datasets and scripting knowledge, we want to identify interesting text resources and invite people researching the field, detecting possibilities for a theater of net.art 2.0 etc. pp. not just revolting but playing with the zombie cybermyths of SL.
The Second Life can not be lived rightly...
- - how can you have virtual sex and no virtual communism?
- - between underworld and purgatory, spaces for the organized networks of death
- - did 1995 avatar utopia needed lindon economy to reach the masses.
- - there are more than 3 million condemned waiting for liberation.
- - come and sacrifice your pets at a pergamon temple.
- - a virtual world is impossible. lindon dollars are halluzinogenic.
- - california dreaming, do you feel the network effect?
- - zoylent green is us!
- - instalaremos la primera antena zapatista de radio insurgente y la otra campa??a en second life.