Generative Art, Open Systems
FURTHER PROCESSING: Generative Art, Open Systems :: Pablo Miranda Carranza (ES), Fabio Franchino (IT), Ben Fry (USA), Golan Levin (USA), Lia (AT), Mark Napier (USA), C.E.B. Reas (USA), Martin Wattenberg (USA), Marius Watz (NOR)
Opening: Sat 23.09.2006, 1.15 p.m. :: Duration: 23.09.-25.11.2006, Tue-Fri 2-6 p.m., Sat 11 a.m.-6 p.m. :: Venue: Kunstverein Medienturm, Josefigasse 1, A-8020 Graz :: Curators: Sandro Droschl, Marius Watz.
FURTHER PROCESSING uses the Open Source software "Processing" as a departure point to examine current positions in software-based art. Code is becoming an aesthetic material, with software as the new art object. The exhibition can be grouped into two loose positions: Generative Art and Data Art. The former sees the software system itself as an object of investigation, with algorithms and code structures becoming the framework and material for the work itself. The generative works present an aesthetic of complexity, concerned with formal explorations of spatial and temporal parameters. Ranging from the opulent to the minimalist, these pieces comfortably bridge the gap between an electronic image culture and traditions in drawing and painting.
Data Art positions the computer as mediator between humans and the increasingly complex information networks that surround us, using computational processes to make visible structures and patterns that go unseen by our natural senses. Data visualization thus becomes a pure art of the database, a new cultural artefact in a world of information.
Beside works of nine well known international media artists the software "Processing" will also be on display, so that visitors can try the tool and perhaps get a taste of code for themselves. After all, FURTHER PROCESSING is based on a continuous artistic discourse, of which the effects are reflected on an aesthetic, technological and discursive level.