Begin forwarded message:
> Raqs Media Collective : 'There Has Been a Change of Plan'
> (Selected Works 2002-2006)
> Nature Morte Gallery, A 1 Neeti Bagh, New Delhi
> August 5 - 26, 2006
> - - - - - - - - - - - - - - - - - - - - - -
> Sometimes, adjustments have to be made. Schedules need calibration.
> There are contingencies, questions, obstinate demands, weak excuses,
> strong desires. You return to the city you never left. You pause,
> stock. Sit still and let a conversation begin. Maybe?
> Around you, aeroplanes sit on wooden platforms in a wilderness like
> widows on a funeral pyre. Clocks measure fatigue, anxiety and modest
> epiphanies across latitudes. A door to nowhere stands obstinately
> against the sky. All your cities are a blur.
> "Do you like looking at maps?"
> Meanwhile, measures are taken, shoes lost and found, ghost stories
> gather, the city whispers conspiracies to itself, the situation is
> tense but under control. Someone offers you a postcard.
> Now: Let's see what happens.
> -- - - - - - - - - - - - - - - - - - - - - -
> Raqs Media Collective is pleased to announce its first solo
> in Delhi - 'There Has Been A Change of Plan' at Nature Morte Gallery.
> The exhibition features selected works (2002 - 2006) in the form of
> cross media installations with networked computers, objects,
> video, sound, prints and projections.
> Works exhibited include: 'Lost New Shoes', selections from 'A Measure
> of Anacoustic Reason', 'Location (n)', '28.28 N / 77.15 E :: 2001/02
> (Co-Ordinates of Everyday Life, Delhi 2001-2002)', 'Erosion by
> Whispers', 'Preface to a Ghost Story' and 'There Has Been a Change of
> Plan'. (See Details in PDF attatchment with this mail)
> - - - - - - - - - - - - - - - - - - - - - - -
> About Raqs Media Collective
> (Excerpt from the Wikipedia Entry on Raqs Media Collective -
> Raqs Media Collective was formed in 1992 by independent media
> practitioners Jeebesh Bagchi, Monica Narula and Shuddhabrata
> Based in Delhi, their work engages with urban spaces and global
> circuits, persistently welding a sharp, edgily contemporary sense of
> what it means to lay claim to the world from the streets of Delhi. At
> the same time, Raqs articulates an intimately lived relationship with
> myths and histories of diverse provenances. Raqs sees its work as
> opening out a series of investigations with image, sound, software,
> objects, performance, print, text and lately, curation, that straddle
> different (and changing) affective and aesthetic registers,
> an imaginative unpacking of questions of identity and location, a
> ambivalence towards modernity and a quiet but consistent critique of
> the operations of power and property.
> In 2001 Raqs co-founded Sarai (www.sarai.net) at the Centre for the
> Study of Developing Societies (CSDS) in Delhi where they coordinate
> media productions, pursue and administer independent research and
> practice projects and also work as members of the editorial
> of the Sarai Reader series. For Raqs, Sarai is a space where they
> the freedom to pursue interdisciplinary and hybrid contexts for
> creative work and to develop a sustained engagement with urban space
> and with different forms of media.
Originally posted on Rhizome.org Raw by ryan griffis