nat muller:

***** ******** Upgrade! Amsterdam: Degradable

When: Monday December 18th 2006 ||20.30 hours Where: De Melkweg, Theaterzaal, Lijnbaansgracht 234 A, Amsterdam | free admission | 

URL:www.melkweg.nl/upgrade LIVE stream: www.fabchannel.com

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As the year draws to a close, the last Upgrade! Amsterdam of 2006
ponders the poetics of degradability, focussing specifically on the
aesthetics of things mutable, morphable, and ephemeral. Whether it’s
Steven Jouwersma’s serial destruction of personal memory and momentum
in the DIA-EXIT, or whether it’s Jelte van Abbema’s time and emotion
sensitive font in his “VIRTUREAL typewriter, or his bacterial prints in
SYMBIOSIS, these artists show us that the wilful design of
degradability yield surprising outcomes. The new performance SYNCHRONATOR by Gert-Jan Prins and Bas van
Koolwijk, which combines thecharacteristic visual qualitiesof analogue
and digital techniques concludes the evening.

 In sync with the festive season, we serve apple pie and punch!

|| Participants || - Steven Jouwersma [new media artist working predominantly with old
media like 8mm film and photo slides. Currently completing an M.A. at
the Frank Mohr Institute] http://www.mohr-i.nl/content.phtml?768 - Jelte van Abbema [graduated at the Design Academy in
Eindhoven. Fascinated by the beauty and strangeness of nature. Loves
cookies] http://www.zefir7.nl/archives/gasten/2006_09.php?sender=true - Bas van Koolwijk [audiovisual artist.His video works can be seen as
an aggressive attack on the illusion of video itself. http://www.umatic.nl/info_bas.html - Gert-Jan Prins [electronic improvised music performer. Uses a
self-developed electronic system of radio and transmitter technology] http://www.gjp.info/

|| Projects || Steven Jouwersma | DIA-EXIT In exchange for apple pie people gave Jouwersma their old slides. After
collecting and watching 40.000 slides he decided to destroy them, and
machine for that purpose: the "DIA-EXIT", installed at the Tschumi
Pavilion in Groningen. Upon pressing a red button a slide projection
appears; another push on the button would cause the slide’s
destruction.

 Jelte van Abbema | Virtureal |Symbiosis | Virtureal | Virtureal explores man-machine boundaries by way of a modified old
Remington typewriter, fitted with pressure sensors. The font changes
according to the intensity of the keystrokes, and is susceptible to the
passage of time. | Symbiosis | Due to his fascination for growth, van Abbema created prints composed
by bacteria. As time passes, the image is continuously and organically
transformed into something new.

Gert-Jan Prins & Bas van Koolwijk | Synchronator Since the early years of video art, works have been made which do not
produce a standard TV signal waveform and therefore cannot be directly
recorded or projected with current equipment. For SYNCHRONATOR, Bas van
Koolwijk and Gert-Jan Prins have created their own hardware to overcome
this problem,making use of the characteristic visual qualities of such
techniques. http://www.gjp.info/synchronator.htm

 -- Upgrade! Amsterdamis a series of gatherings for and by new media
aficionados, artists, geeks, media makers and breakers, and the
generally curious. Point of departure is the premise: “No upgrade
without a downgrade.” Upgrade! Amsterdam is organised by Nat Muller &
Lucas Evers, is actively hosted by De Melkweg, and kindly supported by
VSB Fonds and Mondriaan Foundation.

Upgrade! is an international, emerging network of autonomous nodes
united by art, technology, and a commitment to bridging cultural
divides. Since April 1999, a group of new media artists and curators
have gathered in New York City. The first meeting took place at a bar
in the east village with Tim Whidden & Mark River [MTAA], Mark Napier
and Upgrade! founder Yael Kanarek. http://www.theupgrade.net/