Currently, there is much advocacy for cultural practices that demand a particular involvement on the part of the audience, creating situations in which art projects are co-produced. People interact with networked computer systems and artifacts evolve out of experimental relationships between several people. The media art curator is not exclusively the "middle person" between artists and museums or galleries anymore. Curators do not merely organise exhibitions and edit, filter and arrange museum collections. Now, her practice includes facilitating events, screenings, temporary discursive situations, writing/publishing, symposia, conferences, talks, research, the creation of open archives, and mailing lists. Curators become meta-artists. They set up contexts for artists who provide contexts. The model of the curated website has become a useful recognition mechanism. In media art many cultural context providers function in various registers including that of the curator. However, the once clear line between curator, artist and theorist is now blurred.
In this post, quoted from above, Trebor Scholz also discusses the Institute for Infinitely Small Things as an example of artists playing "Cultural Context Provider."
Originally posted on 'journalisms' by Rhizome