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By Regine

Craig Fisher’s Misdemeanours. Huge, glittering knife handles jut from the walls. TNT detornator stands dangerously close to baby’s crib. A full-scale car crash made entirely out of vehicle upholstery spills satiny pools of blood and delicately stitched vomit across the gallery floor.

In juxtaposing fabric and craft with images of violence Fisher subverts the significance of masculinity and contemporary technology.

Wed 5 Oct - Tue 8 Nov.
Rokeby gallery, London.

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