DNA has become as powerful a force in popular culture as it is in the sciences, for better or worse. Some may go so far as to say that the power attributed to the double helix in the social imaginary is unrepresentative of current scientific positions. Whether or not one sees the 'Genetic Revolution' as a real worldview shift, it would be difficult to find many aspects of daily life that have not been touched in some way. The interactions between pop culture, public policy, and the industrial management of genomic research are the subject of Memory Flesh 2.0, a new project by artist Diane Ludin commissioned by New Radio and Performing Arts. The second in a series of works by Ludin to explore the place of genomics in the popular imagination, Memory Flesh 2.0 juxtaposes images and text from the ongoing narrative of the genomic project, sound bites from public officials, and video of a live performance of the artist seemingly stitching different parts of her body. With recent events in the US involving artists and biotechnology, it's not hard to see how genetic policy can impact a body without manipulating even one gene. - Ryan Griffis
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by Text by Arjun Srivatsa; artworks by Eltons Kūns, Giselle Zatonyl, LaTurbo Avedon on Jan 29th, 2015
by Nora N. Khan, Laura Greig, and Alexander Iadarola on Jan 27th, 2015
by Ceci Moss on Jan 20th, 2015