it's odd. we worry and discuss the impermanence of digital media, yet here is a work made of iron, embedded in concrete, literally the stuff of permanence, that is no longer with us. it's not as if a nazi theft or a mongrel horde destroyed the work. it was done by a democratically elected officials without discussion with the constituents or knowledge of art. " The di Suvero works that are no longer extant dated from his most creatively documented period (1967). If you google earth the piece you may get a historic record of the installation. http://www.dittwald.com/torontosculpture/search.php?Artist=Mark%20di%20Suvero both flower paower and no shoes are gone. This is criminal. Eric Dymond
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it's odd. we worry and discuss the impermanence of digital media, yet here is a work made of iron, embedded in concrete, literally the stuff of permanence, that is no longer with us.
it's not as if a nazi theft or a mongrel horde destroyed the work.
it was done by a democratically elected officials without discussion with the constituents or knowledge of art. "
The di Suvero works that are no longer extant dated from his most creatively documented period (1967).
If you google earth the piece you may get a historic record of the installation.
http://www.dittwald.com/torontosculpture/search.php?Artist=Mark%20di%20Suvero
both flower paower and no shoes are gone.
This is criminal.
Eric Dymond