New Work on Furtherfield.org

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charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

BlankNew Work on Furtherfield.org

Christophe Bruno, Joy Garnett, John Blanchard, Ruth Catlow, Marc Garrett,=

Joseph Franklyn McElroy & Donna McElroy, Lewis Lacook, Micki Tschur…



Fascinum - Christophe Bruno: This piece lives on the Yahoo portal. It shows=
the pictures from the daily news that are most viewed on different nationa=
l Yahoo websites. Compiling subjects that fascinate different countries all=
over the world, juxtaposed in real time. Diplaying the pictures most viewe=
d [ranking from 1 to 10] on different national Yahoo portals.

The Bomb Project - Joy Garnett: A comprehensive on-line compendium of nucle=
ar-related links, imagery and documentation. Intended as a resource for art=
ists and encouraging those working in all media, from net.art, film and vid=
eo, eco-intervention and site-specific installation to more traditional for=
ms of agitprop, to use this site to search for raw material. The Bomb Proje=
ct has gathered together links to nuclear image archives (still and moving)=
, historical documents, current news, NGOs and activist organizations as we=
ll as government labs and arms treaties. It makes accessible the declassifi=
ed files and graphic documentation produced by the nuclear industry itself,=
providing a context for comparative study, analysis and creativity.

AirStream - John Blanchard: Taken from the album 'Airstream' by John Blanch=
ard, a selection of meditative pieces for cello, piano, sitar, and orchestr=
a. A smooth interface that reflects the feeling of the music, drawing the =
user into an environment that is unusually calming and relaxing for a compu=
ter interface. It also features photography created by the composer inspire=
d by the work of Andy Goldsworthy.

Short Films - Ruth Catlow: A selection of short films. 'Drawn to the big hu=
man subjects but ever unsure how to approach them. I think of these short f=
ilms like short films are like inappropriate gestures, physical actions or=
shouts in public spaces. They are about seeing shamanistic hedonism and an=
imism in shopping centres, the confusions and difficulties of taking respon=
sibility for the state of the world in a fractured community, shifting iden=
tity (finding myself behind someone else's eyes), subjectivity and perspect=
ive. I've got a wooden spoon in my hand and I'm stirring the chthonic soup'=
. All the clips are taken in public spaces shot in Walthamstow, the east en=
d of London, UK.


Marc Garrett's Writings - Marc Garrett: A varied collection of agitprop wri=
tings, featuring his infamous ironic email shorts 'Sleazy Art Meetings' (sl=
iced stories, art speak, critical philosophies, mixed with text stolen from=
sex sites on the Internet) and stories, or rather fables touching on how t=
echnology plays on our subconscience, issues of personal freedom, sexual id=
entity, masculinity and politics. Some have termed his stories as cyber-nov=
els. 'I don't mind the term, but I feel that the stories declare life and a=
ll its confusions beyond labels and are more about dealing with the issue o=
f transmutation. The site also features 'Critical Text' and 'Poetry/Prose',=
all worth a visit.

A Population in Peril - Cor[porat]e [Per]form[ance] Art[ists] Joseph Frankl=
yn McElroy & Donna McElroy: Performance has become a key term that in turn =
applies to experimental art, worker productivity, and functionality of tech=
nical, corporate, and military systems. A document of sunny New York days, =
digitalized and hand drawn depictions of creativity and contentment in the =
face of a terrorist threat.

Flash Poetry Generator 3.0 - Lewis LaCook: A programme that invites you to =
place nouns and verbs into dialogue boxes. Once the user has typed in their=
chosen words the poems are generated, forming evocative prose; some abstra=
ct, some profound, some dada. Lewis LaCook is also currently furtherfield's=
resident critic http://www.furtherfield.org/crit/index.htm.

Taxidermy - New Micki Tshcur: Animals that have fallen victim to road kill =
incidents undergo a taxidermic transformation into various odd poses & gest=
ures.
Goatboy - New Micki Tshcur: A sexual adventure turned into a comic strip by=
Micki Tschur documenting an encounter with a young goat herd in the Alps o=
f Italy.

Furtherfield wishes to thank all those who have submitted their new work an=
d for their patience in waiting for it to happen. [We still have more new s=
ubmissions to add to furtherfield, due to being over-run and over-worked we=
will put the rest up in a few weeks - Phew!]



More Information about furtherfield.org



We would also like to thank AKAART, for generously hosting furtherfield and=
its various projects.

http://www.furtherfield.org/crit/index.htm Lewis LaCook is our first critic=
in residence on Furtherfield. Offering regular and informative reviews of =
varied explorative projects & artworks featured on furtherfield, plus other=
works by artists who are currently exhibiting on the Internet.

http://www.furtherfield.org/ffield/index2.htm Furtherprojects, a page that =
shows all our current projects and what we are up to, still to be updated (=
of course).


Furtherfield is an non profit independent online platform for the creation,=
promotion, and archiving of new work for public viewing and interaction. F=
urtherfield collaborates with independent visual artists, digital/net artis=
ts, writers, critical thinkers, musicians and noisemakers with a special fo=
cus on work developed and produced outside the recognised institutional sup=
port structures (colleges, galleries, corporate and public funding). We exp=
lore new and imaginative strategies for communicating ideas and issues in a=
range of digital & terrestrial media contexts.
Furtherfield's activities focus on presenting works online and organising g=
lobal, contributory projects, which exist simultaneously on the Internet, t=
he streets and public venues.


We can make our own World . . .



http://www.furtherfield.org

[email protected]





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<DIV>
<DIV>
<DIV align=center><STRONG><FONT face="Courier New" color=#000080 size=
=3><A
href="http://www.furtherfield.org/home.html">New Work on
Furtherfield.org</A></FONT></STRONG></DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV align=left><STRONG><FONT face="Courier New" color=#000080>Christ=
ophe Bruno,
Joy Garnett, John Blanchard, Ruth Catlow, Marc
Garrett,&nbsp;&nbsp;<BR></FONT></STRONG><STRONG><FONT face="Courier New"=

color=#000080>Joseph Franklyn McElroy &amp; Donna McElroy, </FONT></STRON=
G><FONT
color=#0000ff><STRONG><FONT face="Courier New"><FONT color=#000080>Le=
wis Lacook,
Micki Tschur…<BR></FONT><BR></DIV></FONT></STRONG></FONT>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV align=left><FONT color=#000080><FONT face="Courier New"><FONT
color=#0000ff><FONT color=#000080><STRONG>Fascinum -</STRONG></FONT>
</FONT><STRONG>Christophe Bruno: </STRONG><FONT size=1><FONT color=#000=
000>This
piece lives on the Yahoo portal. It shows the pictures from the daily news =
that
are most viewed on different national Yahoo websites.&nbsp;Compiling subjec=
ts
that fascinate different countries all over the world, juxtaposed in real=

time.</FONT><FONT color=#000080><STRONG> </STRONG></FONT><FONT
color=#000000>Diplay</FONT></FONT></FONT></FONT><FONT color=#000000><FO=
NT
face="Courier New"><FONT size=1>ing the pictures most viewed [ranking f=
rom 1 to
10] on different national Yahoo portals.</FONT><BR><BR><FONT
color=#000080><STRONG>The Bomb Project - Joy Garnett:</STRONG>&nbsp;<FONT=

color=#000000 size=1>A comprehensive on-line compendium of nuclear-rela=
ted
links, imagery and documentation. Intended as a resource for artists
and&nbsp;encouraging those working in all media, from net.art, film and vid=
eo,
eco-intervention and site-specific installation to more traditional forms o=
f
agitprop, to use this site to search for raw material. The Bomb Project has=

gathered together links to nuclear image archives (still and moving), histo=
rical
documents, current news, NGOs and activist organizations as well as governm=
ent
labs and arms treaties. It makes accessible the declassified files and grap=
hic
documentation produced by the nuclear industry itself, providing a context =
for
comparative study, analysis and
creativity.</FONT></FONT></FONT></FONT></DIV><FONT color=#000000><FONT
face="Courier New"></FONT>
<DIV align=left><BR></FONT><FONT face="Courier New"><FONT
color=#000080><STRONG>AirStream - John Blanchard:</STRONG></FONT>&nbsp;<F=
ONT
size=1>Taken from the album</FONT></FONT><FONT face="Courier New"
size=1>&nbsp;'Airstream' by John Blanchard, a selection of meditative pie=
ces for
cello, piano, sitar, and orchestra. A smooth interface that reflects&nbsp; =
the
feeling of the music, drawing the user into an environment that is unusuall=
y
calming and relaxing for a computer interface. It also features photography=

created by the composer inspired by the work of Andy Goldsworthy.<BR><BR><F=
ONT
color=#000080 size=2><STRONG>Short Films&nbsp;- Ruth Catlow:</STRONG> <=
FONT
color=#000000 size=1>A selection of short films. '</FONT><FONT
color=#000000><FONT size=1><FONT size=2><FONT face=Verdana><FONT
face="Courier New" size=1>Drawn to the big human subjects but ever unsu=
re how to
approach them. I think of these short films like</FONT>&nbsp;</FONT></FONT>=

short films are like inappropriate gestures, physical actions or shouts in=

public spaces. They are about seeing shamanistic hedonism and animism in
shopping centres, the confusions and difficulties of taking responsibility =
for
the state of the world in a fractured community, shifting identity (finding=

myself behind someone else's eyes), subjectivity and perspective. I've got =
a
wooden spoon in my hand and I'm stirring the chthonic soup'.</FONT> <FONT=

size=1>All the clips are taken&nbsp;in public spaces shot in Walthamstow,=
the
east end of London,
UK.</FONT></FONT><STRONG>&nbsp;</STRONG></FONT><BR></FONT></DIV>
<DIV align=left><FONT color=#000080><FONT face="Courier New"><STRONG>=
<BR>Marc
Garrett's Writings - Marc Garrett:</STRONG> </FONT><FONT color=#000000><F=
ONT
size=1><FONT face="Courier New">A varied collection of agitprop writing=
s,
featuring his infamous ironic email shorts 'Sleazy Art Meetings' (sliced
stories, art speak, critical philosophies,&nbsp;mixed with text stolen from=
sex
sites on the Internet) and stories, or&nbsp;rather fables touching on how=

technology plays on our subconscience, issues of personal freedom, sexual=

identity, masculinity and politics. Some have termed his stories as
cyber-novels. 'I don't mind the term, but I feel that the stories&nbsp;decl=
are
life and all its confusions beyond labels and are more about dealing with t=
he
issue of transmutation. The site also&nbsp;features&nbsp;'Critical&nbsp;Tex=
t'
and 'Poetry/Prose', all worth a visit.&nbsp;<BR><BR></FONT><FONT
face="Courier New"><FONT size=2><STRONG><FONT color=#000080>A Populat=
ion in
Peril - Cor[porat]e [Per]form[ance] Art[ists] Joseph Franklyn McElroy &amp;=

Donna McElroy: </FONT></STRONG></FONT><FONT size=1>Performance has become=
a key
term that in turn applies to experimental art, worker productivity, and
functionality of technical, corporate, and military
systems.&nbsp;</FONT></FONT></FONT></FONT></FONT><FONT size=1><FONT
face="Courier New">A document of sunny New York days, digitalized and han=
d drawn
</FONT><FONT face="Courier New">depictions of creativity&nbsp;and content=
ment in
the face of a terrorist threat.&nbsp; </FONT></FONT></DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><FONT color=#000080><FONT face="Courier New"><STRONG>Flash Poetry =
Generator
3.0 - Lewis LaCook: </STRONG><FONT color=#000000 size=1>A programme tha=
t invites
you to place nouns and verbs into dialogue boxes. Once the user has typed i=
n
their chosen words the poems are generated, forming evocative prose; some=

abstract, some profound, some dada. Lewis LaCook is also currently
furtherfield's resident&nbsp;critic <A
href="http://www.furtherfield.org/crit/index.htm">http://www.furtherfield=
.org/crit/index.htm</A>.
</FONT></FONT></FONT></DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><FONT face="Courier New"><FONT color=#000080><STRONG>Taxidermy
-</STRONG></FONT>&nbsp;<FONT color=#000080><STRONG>New Micki
Tshcur</STRONG></FONT>: <FONT size=1>Animals that have fallen victim to r=
oad
kill incidents undergo a </FONT></FONT><FONT size=1><FONT
face="Courier New">taxidermic transformation into various odd poses &amp;=

gestures.<BR></FONT><FONT color=#000080 size=2><STRONG><FONT
face="Courier New">Goatboy - New Micki Tshcur</FONT></STRONG><FONT
color=#000000><FONT face="Courier New">: </FONT><FONT face="Courier N=
ew"
size=1>A sexual adventure turned into a&nbsp;comic strip by Micki Tschur=

documenting an encounter with a young goat herd in the Alps of
Italy.<BR><BR>Furtherfield wishes to thank all those&nbsp;who have submitte=
d
their new work&nbsp;and for&nbsp;their patience in waiting for it to
happen.<FONT color=#000080> </FONT>[We still have more new&nbsp;submissio=
ns to
add to furtherfield, due to being over-run and over-worked we will put the =
rest
up in a few weeks - Phew!]<BR></FONT></FONT></FONT></FONT></DIV>
<DIV align=center><FONT size=+0><FONT color=#000080><FONT color=#00=
0000><FONT
face="Courier New"><FONT color=#000080
size=1><STRONG></STRONG></FONT></FONT></FONT></FONT></FONT>&nbsp;</DIV>
<DIV align=center><FONT size=+0><FONT color=#000080><FONT color=#00=
0000><FONT
face="Courier New"><FONT color=#000080
size=1><STRONG></STRONG></FONT></FONT></FONT></FONT></FONT>&nbsp;</DIV>
<DIV align=center><FONT size=+0><FONT color=#000080><FONT color=#00=
0000><FONT
face="Courier New"><FONT color=#000080><STRONG>More Information
about&nbsp;furtherfield.org</STRONG></FONT></FONT></FONT></FONT></FONT></DI=
V>
<DIV align=center><STRONG><FONT face="Courier New"
color=#000080></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT size=+0><FONT size=+0><FONT size=+0><FONT size=+0><FONT =
size=+0><FONT
color=#000080><FONT size=1><FONT face="Courier New"><BR><BR><FONT
color=#000000>We would also like to thank
</FONT></FONT></FONT></FONT></FONT></FONT><A href="http://www.akaart.net/=
"><FONT
face="Courier New" color=#000000 size=1>AKAART</FONT></A><FONT
color=#000080><FONT size=1><FONT face="Courier New"><FONT color=#00=
0000>, for
generously hosting furtherfield and its various
projects.</FONT><BR><BR></FONT></FONT></FONT><A
href="http://www.furtherfield.org/crit/index.htm"><FONT face="Courier N=
ew"
color=#000080 size=1>http://www.furtherfield.org/crit/index.htm</FONT><=
/A><FONT
face="Courier New" color=#000080 size=1>&nbsp;<B>Lewis LaCook</B> <FO=
NT
color=#000000>is our first critic in residence on Furtherfield. Offering =
regular
and informative reviews of varied explorative projects &amp; artworks featu=
red
on furtherfield, plus other works by artists who are currently exhibiting o=
n the
Internet.</FONT>&nbsp;<BR><BR></FONT><A
href="http://www.furtherfield.org/ffield/index2.htm"><FONT face="Courie=
r New"
color=#000080
size=1>http://www.furtherfield.org/ffield/index2.htm</FONT></A><FONT
face="Courier New" color=#000080 size=1>&nbsp;</FONT><FONT color=#0=
00080><FONT
size=1><FONT face="Courier New"><STRONG>Furtherprojects</STRONG>, <FONT=

color=#000000>a page that shows all&nbsp;our current&nbsp;projects and wh=
at we
are up to, still to be updated (of
course).<BR></FONT><BR></FONT></FONT></FONT></FONT></FONT><FONT
color=#000080><FONT face="Courier New" size=1></FONT></FONT></FONT></=
DIV>
<DIV><FONT size=+0><FONT color=#000080><FONT face="Courier New"
size=1>Furtherfield is an non profit independent online platform for the=

creation, promotion, and archiving of new work for public viewing and
interaction. Furtherfield collaborates with independent visual artists,
digital/net artists, writers, critical thinkers, musicians and noisemakers =
with
a special focus on work developed and produced outside the recognised
institutional support structures (colleges, galleries, corporate and public=

funding). We explore new and imaginative strategies for communicating ideas=
and
issues in a range of digital &amp; terrestrial media contexts.</FONT></DIV>
<P><FONT face="Courier New" size=1>Furtherfield's activities focus on p=
resenting
works online and organising global, contributory projects, which exist
simultaneously on the Internet, the streets and public venues. </FONT></P>
<P><FONT face="Courier New" size=1></FONT></P>
<P align=center><FONT face="Courier New" size=1><B>We can make our ow=
n World . .
.</B></FONT></FONT><BR></P></FONT>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><A href="http://www.furtherfield.org/"><FONT
face="Courier New">http://www.furtherfield.org</FONT></A></DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><A href="mailto:[email protected]"><FONT
face="Courier New">[email protected]</FONT></A></DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV></DIV></DIV>
<P>&nbsp;</P></BODY></HTML>

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Comments

, marc garrett

——=_NextPart_001_0031_01C2487E.926D9710
Content-Type: text/plain;
charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

BlankNew Work on Furtherfield.org

Christophe Bruno, Joy Garnett, John Blanchard, Ruth Catlow, Marc Garrett,=

Joseph Franklyn McElroy & Donna McElroy, Lewis Lacook, Micki Tschur…



Fascinum - Christophe Bruno: This piece lives on the Yahoo portal. It shows=
the pictures from the daily news that are most viewed on different nationa=
l Yahoo websites. Compiling subjects that fascinate different countries all=
over the world, juxtaposed in real time. Diplaying the pictures most viewe=
d [ranking from 1 to 10] on different national Yahoo portals.

The Bomb Project - Joy Garnett: A comprehensive on-line compendium of nucle=
ar-related links, imagery and documentation. Intended as a resource for art=
ists and encouraging those working in all media, from net.art, film and vid=
eo, eco-intervention and site-specific installation to more traditional for=
ms of agitprop, to use this site to search for raw material. The Bomb Proje=
ct has gathered together links to nuclear image archives (still and moving)=
, historical documents, current news, NGOs and activist organizations as we=
ll as government labs and arms treaties. It makes accessible the declassifi=
ed files and graphic documentation produced by the nuclear industry itself,=
providing a context for comparative study, analysis and creativity.

AirStream - John Blanchard: Taken from the album 'Airstream' by John Blanch=
ard, a selection of meditative pieces for cello, piano, sitar, and orchestr=
a. A smooth interface that reflects the feeling of the music, drawing the =
user into an environment that is unusually calming and relaxing for a compu=
ter interface. It also features photography created by the composer inspire=
d by the work of Andy Goldsworthy.

Short Films - Ruth Catlow: A selection of short films. 'Drawn to the big hu=
man subjects but ever unsure how to approach them. I think of these short f=
ilms like short films are like inappropriate gestures, physical actions or=
shouts in public spaces. They are about seeing shamanistic hedonism and an=
imism in shopping centres, the confusions and difficulties of taking respon=
sibility for the state of the world in a fractured community, shifting iden=
tity (finding myself behind someone else's eyes), subjectivity and perspect=
ive. I've got a wooden spoon in my hand and I'm stirring the chthonic soup'=
. All the clips are taken in public spaces shot in Walthamstow, the east en=
d of London, UK.


Marc Garrett's Writings - Marc Garrett: A varied collection of agitprop wri=
tings, featuring his infamous ironic email shorts 'Sleazy Art Meetings' (sl=
iced stories, art speak, critical philosophies, mixed with text stolen from=
sex sites on the Internet) and stories, or rather fables touching on how t=
echnology plays on our subconscience, issues of personal freedom, sexual id=
entity, masculinity and politics. Some have termed his stories as cyber-nov=
els. 'I don't mind the term, but I feel that the stories declare life and a=
ll its confusions beyond labels and are more about dealing with the issue o=
f transmutation. The site also features 'Critical Text' and 'Poetry/Prose',=
all worth a visit.

A Population in Peril - Cor[porat]e [Per]form[ance] Art[ists] Joseph Frankl=
yn McElroy & Donna McElroy: Performance has become a key term that in turn =
applies to experimental art, worker productivity, and functionality of tech=
nical, corporate, and military systems. A document of sunny New York days, =
digitalized and hand drawn depictions of creativity and contentment in the =
face of a terrorist threat.

Flash Poetry Generator 3.0 - Lewis LaCook: A programme that invites you to =
place nouns and verbs into dialogue boxes. Once the user has typed in their=
chosen words the poems are generated, forming evocative prose; some abstra=
ct, some profound, some dada. Lewis LaCook is also currently furtherfield's=
resident critic http://www.furtherfield.org/crit/index.htm.

Taxidermy - New Micki Tshcur: Animals that have fallen victim to road kill =
incidents undergo a taxidermic transformation into various odd poses & gest=
ures.
Goatboy - New Micki Tshcur: A sexual adventure turned into a comic strip by=
Micki Tschur documenting an encounter with a young goat herd in the Alps o=
f Italy.

Furtherfield wishes to thank all those who have submitted their new work an=
d for their patience in waiting for it to happen. [We still have more new s=
ubmissions to add to furtherfield, due to being over-run and over-worked we=
will put the rest up in a few weeks - Phew!]



More Information about furtherfield.org



We would also like to thank AKAART, for generously hosting furtherfield and=
its various projects.

http://www.furtherfield.org/crit/index.htm Lewis LaCook is our first critic=
in residence on Furtherfield. Offering regular and informative reviews of =
varied explorative projects & artworks featured on furtherfield, plus other=
works by artists who are currently exhibiting on the Internet.

http://www.furtherfield.org/ffield/index2.htm Furtherprojects, a page that =
shows all our current projects and what we are up to, still to be updated (=
of course).


Furtherfield is an non profit independent online platform for the creation,=
promotion, and archiving of new work for public viewing and interaction. F=
urtherfield collaborates with independent visual artists, digital/net artis=
ts, writers, critical thinkers, musicians and noisemakers with a special fo=
cus on work developed and produced outside the recognised institutional sup=
port structures (colleges, galleries, corporate and public funding). We exp=
lore new and imaginative strategies for communicating ideas and issues in a=
range of digital & terrestrial media contexts.
Furtherfield's activities focus on presenting works online and organising g=
lobal, contributory projects, which exist simultaneously on the Internet, t=
he streets and public venues.


We can make our own World . . .



http://www.furtherfield.org

[email protected]





——=_NextPart_001_0031_01C2487E.926D9710
Content-Type: text/html;
charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE id=ridTitle>Blank</TITLE>
<META http-equiv=Content-Type content="text/html; charset=windows-125=
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<DIV>
<DIV>
<DIV>
<DIV align=center><STRONG><FONT face="Courier New" color=#000080 size=
=3><A
href="http://www.furtherfield.org/home.html">New Work on
Furtherfield.org</A></FONT></STRONG></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV align=left><STRONG><FONT face="Courier New" color=#000080>Christ=
ophe Bruno,
Joy Garnett, John Blanchard, Ruth Catlow, Marc
Garrett,&nbsp;&nbsp;<BR></FONT></STRONG><STRONG><FONT face="Courier New"=

color=#000080>Joseph Franklyn McElroy &amp; Donna McElroy, </FONT></STRON=
G><FONT
color=#0000ff><STRONG><FONT face="Courier New"><FONT color=#000080>Le=
wis Lacook,
Micki Tschur…<BR></FONT><BR></DIV></FONT></STRONG></FONT>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV align=left><FONT color=#000080><FONT face="Courier New"><FONT
color=#0000ff><FONT color=#000080><STRONG>Fascinum -</STRONG></FONT>
</FONT><STRONG>Christophe Bruno: </STRONG><FONT size=1><FONT color=#000=
000>This
piece lives on the Yahoo portal. It shows the pictures from the daily news =
that
are most viewed on different national Yahoo websites.&nbsp;Compiling subjec=
ts
that fascinate different countries all over the world, juxtaposed in real=

time.</FONT><FONT color=#000080><STRONG> </STRONG></FONT><FONT
color=#000000>Diplay</FONT></FONT></FONT></FONT><FONT color=#000000><FO=
NT
face="Courier New"><FONT size=1>ing the pictures most viewed [ranking f=
rom 1 to
10] on different national Yahoo portals.</FONT><BR><BR><FONT
color=#000080><STRONG>The Bomb Project - Joy Garnett:</STRONG>&nbsp;<FONT=

color=#000000 size=1>A comprehensive on-line compendium of nuclear-rela=
ted
links, imagery and documentation. Intended as a resource for artists
and&nbsp;encouraging those working in all media, from net.art, film and vid=
eo,
eco-intervention and site-specific installation to more traditional forms o=
f
agitprop, to use this site to search for raw material. The Bomb Project has=

gathered together links to nuclear image archives (still and moving), histo=
rical
documents, current news, NGOs and activist organizations as well as governm=
ent
labs and arms treaties. It makes accessible the declassified files and grap=
hic
documentation produced by the nuclear industry itself, providing a context =
for
comparative study, analysis and
creativity.</FONT></FONT></FONT></FONT></DIV><FONT color=#000000><FONT
face="Courier New"></FONT>
<DIV align=left><BR></FONT><FONT face="Courier New"><FONT
color=#000080><STRONG>AirStream - John Blanchard:</STRONG></FONT>&nbsp;<F=
ONT
size=1>Taken from the album</FONT></FONT><FONT face="Courier New"
size=1>&nbsp;'Airstream' by John Blanchard, a selection of meditative pie=
ces for
cello, piano, sitar, and orchestra. A smooth interface that reflects&nbsp; =
the
feeling of the music, drawing the user into an environment that is unusuall=
y
calming and relaxing for a computer interface. It also features photography=

created by the composer inspired by the work of Andy Goldsworthy.<BR><BR><F=
ONT
color=#000080 size=2><STRONG>Short Films&nbsp;- Ruth Catlow:</STRONG> <=
FONT
color=#000000 size=1>A selection of short films. '</FONT><FONT
color=#000000><FONT size=1><FONT size=2><FONT face=Verdana><FONT
face="Courier New" size=1>Drawn to the big human subjects but ever unsu=
re how to
approach them. I think of these short films like</FONT>&nbsp;</FONT></FONT>=

short films are like inappropriate gestures, physical actions or shouts in=

public spaces. They are about seeing shamanistic hedonism and animism in
shopping centres, the confusions and difficulties of taking responsibility =
for
the state of the world in a fractured community, shifting identity (finding=

myself behind someone else's eyes), subjectivity and perspective. I've got =
a
wooden spoon in my hand and I'm stirring the chthonic soup'.</FONT> <FONT=

size=1>All the clips are taken&nbsp;in public spaces shot in Walthamstow,=
the
east end of London,
UK.</FONT></FONT><STRONG>&nbsp;</STRONG></FONT><BR></FONT></DIV>
<DIV align=left><FONT color=#000080><FONT face="Courier New"><STRONG>=
<BR>Marc
Garrett's Writings - Marc Garrett:</STRONG> </FONT><FONT color=#000000><F=
ONT
size=1><FONT face="Courier New">A varied collection of agitprop writing=
s,
featuring his infamous ironic email shorts 'Sleazy Art Meetings' (sliced
stories, art speak, critical philosophies,&nbsp;mixed with text stolen from=
sex
sites on the Internet) and stories, or&nbsp;rather fables touching on how=

technology plays on our subconscience, issues of personal freedom, sexual=

identity, masculinity and politics. Some have termed his stories as
cyber-novels. 'I don't mind the term, but I feel that the stories&nbsp;decl=
are
life and all its confusions beyond labels and are more about dealing with t=
he
issue of transmutation. The site also&nbsp;features&nbsp;'Critical&nbsp;Tex=
t'
and 'Poetry/Prose', all worth a visit.&nbsp;<BR><BR></FONT><FONT
face="Courier New"><FONT size=2><STRONG><FONT color=#000080>A Populat=
ion in
Peril - Cor[porat]e [Per]form[ance] Art[ists] Joseph Franklyn McElroy &amp;=

Donna McElroy: </FONT></STRONG></FONT><FONT size=1>Performance has become=
a key
term that in turn applies to experimental art, worker productivity, and
functionality of technical, corporate, and military
systems.&nbsp;</FONT></FONT></FONT></FONT></FONT><FONT size=1><FONT
face="Courier New">A document of sunny New York days, digitalized and han=
d drawn
</FONT><FONT face="Courier New">depictions of creativity&nbsp;and content=
ment in
the face of a terrorist threat.&nbsp; </FONT></FONT></DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><FONT color=#000080><FONT face="Courier New"><STRONG>Flash Poetry =
Generator
3.0 - Lewis LaCook: </STRONG><FONT color=#000000 size=1>A programme tha=
t invites
you to place nouns and verbs into dialogue boxes. Once the user has typed i=
n
their chosen words the poems are generated, forming evocative prose; some=

abstract, some profound, some dada. Lewis LaCook is also currently
furtherfield's resident&nbsp;critic <A
href="http://www.furtherfield.org/crit/index.htm">http://www.furtherfield=
.org/crit/index.htm</A>.
</FONT></FONT></FONT></DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><FONT face="Courier New"><FONT color=#000080><STRONG>Taxidermy
-</STRONG></FONT>&nbsp;<FONT color=#000080><STRONG>New Micki
Tshcur</STRONG></FONT>: <FONT size=1>Animals that have fallen victim to r=
oad
kill incidents undergo a </FONT></FONT><FONT size=1><FONT
face="Courier New">taxidermic transformation into various odd poses &amp;=

gestures.<BR></FONT><FONT color=#000080 size=2><STRONG><FONT
face="Courier New">Goatboy - New Micki Tshcur</FONT></STRONG><FONT
color=#000000><FONT face="Courier New">: </FONT><FONT face="Courier N=
ew"
size=1>A sexual adventure turned into a&nbsp;comic strip by Micki Tschur=

documenting an encounter with a young goat herd in the Alps of
Italy.<BR><BR>Furtherfield wishes to thank all those&nbsp;who have submitte=
d
their new work&nbsp;and for&nbsp;their patience in waiting for it to
happen.<FONT color=#000080> </FONT>[We still have more new&nbsp;submissio=
ns to
add to furtherfield, due to being over-run and over-worked we will put the =
rest
up in a few weeks - Phew!]<BR></FONT></FONT></FONT></FONT></DIV>
<DIV align=center><FONT size=+0><FONT color=#000080><FONT color=#00=
0000><FONT
face="Courier New"><FONT color=#000080
size=1><STRONG></STRONG></FONT></FONT></FONT></FONT></FONT>&nbsp;</DIV>
<DIV align=center><FONT size=+0><FONT color=#000080><FONT color=#00=
0000><FONT
face="Courier New"><FONT color=#000080
size=1><STRONG></STRONG></FONT></FONT></FONT></FONT></FONT>&nbsp;</DIV>
<DIV align=center><FONT size=+0><FONT color=#000080><FONT color=#00=
0000><FONT
face="Courier New"><FONT color=#000080><STRONG>More Information
about&nbsp;furtherfield.org</STRONG></FONT></FONT></FONT></FONT></FONT></DI=
V>
<DIV align=center><STRONG><FONT face="Courier New"
color=#000080></FONT></STRONG>&nbsp;</DIV>
<DIV><FONT size=+0><FONT size=+0><FONT size=+0><FONT size=+0><FONT =
size=+0><FONT
color=#000080><FONT size=1><FONT face="Courier New"><BR><BR><FONT
color=#000000>We would also like to thank
</FONT></FONT></FONT></FONT></FONT></FONT><A href="http://www.akaart.net/=
"><FONT
face="Courier New" color=#000000 size=1>AKAART</FONT></A><FONT
color=#000080><FONT size=1><FONT face="Courier New"><FONT color=#00=
0000>, for
generously hosting furtherfield and its various
projects.</FONT><BR><BR></FONT></FONT></FONT><A
href="http://www.furtherfield.org/crit/index.htm"><FONT face="Courier N=
ew"
color=#000080 size=1>http://www.furtherfield.org/crit/index.htm</FONT><=
/A><FONT
face="Courier New" color=#000080 size=1>&nbsp;<B>Lewis LaCook</B> <FO=
NT
color=#000000>is our first critic in residence on Furtherfield. Offering =
regular
and informative reviews of varied explorative projects &amp; artworks featu=
red
on furtherfield, plus other works by artists who are currently exhibiting o=
n the
Internet.</FONT>&nbsp;<BR><BR></FONT><A
href="http://www.furtherfield.org/ffield/index2.htm"><FONT face="Courie=
r New"
color=#000080
size=1>http://www.furtherfield.org/ffield/index2.htm</FONT></A><FONT
face="Courier New" color=#000080 size=1>&nbsp;</FONT><FONT color=#0=
00080><FONT
size=1><FONT face="Courier New"><STRONG>Furtherprojects</STRONG>, <FONT=

color=#000000>a page that shows all&nbsp;our current&nbsp;projects and wh=
at we
are up to, still to be updated (of
course).<BR></FONT><BR></FONT></FONT></FONT></FONT></FONT><FONT
color=#000080><FONT face="Courier New" size=1></FONT></FONT></FONT></=
DIV>
<DIV><FONT size=+0><FONT color=#000080><FONT face="Courier New"
size=1>Furtherfield is an non profit independent online platform for the=

creation, promotion, and archiving of new work for public viewing and
interaction. Furtherfield collaborates with independent visual artists,
digital/net artists, writers, critical thinkers, musicians and noisemakers =
with
a special focus on work developed and produced outside the recognised
institutional support structures (colleges, galleries, corporate and public=

funding). We explore new and imaginative strategies for communicating ideas=
and
issues in a range of digital &amp; terrestrial media contexts.</FONT></DIV>
<P><FONT face="Courier New" size=1>Furtherfield's activities focus on p=
resenting
works online and organising global, contributory projects, which exist
simultaneously on the Internet, the streets and public venues. </FONT></P>
<P><FONT face="Courier New" size=1></FONT></P>
<P align=center><FONT face="Courier New" size=1><B>We can make our ow=
n World . .
.</B></FONT></FONT><BR></P></FONT>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><A href="http://www.furtherfield.org/"><FONT
face="Courier New">http://www.furtherfield.org</FONT></A></DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><A href="mailto:[email protected]"><FONT
face="Courier New">[email protected]</FONT></A></DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV>
<DIV><FONT face="Courier New"></FONT>&nbsp;</DIV></DIV></DIV>
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