Sleazy Art Meetings (2)
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BlankSleazy Art meetings (2)
Rubbing My Subjective Intentions into a new conceptual plain.
I just got a new set of ideas. The class today went exceptionally wel=
l and I love my new appearance. The only drawback, if you can call it a dra=
wback, is that I'm supposed to think heavily about them several times a day=
. I can get a little lazy doing this so I figured out a way to make it a li=
ttle more exciting. I put up an ad on the Artist anonymous system looking f=
or conceptualists who would like to massage my new processed intentions.
Now I'm not exactly a fully fledged artist or anything, but I figured=
there would be nothing wrong with me looking for a little help with my the=
oretical needs. Although I never realized just how exciting and interesting=
post-structuralism can really be when done by informed and famous net arti=
sts. I guess I never really thought about it, as whenever I had a lecturer =
touch them before it led to a more modernist experience.
The first artist to come over seemed very nice. I told him it was a t=
heoretical massage and there would be no art as yet. He started by rubbing =
the appropriate concepts through my recently tie dyed, college t-shirt and =
then I took my top off and let him consider them visually instead of just i=
deas in his head. It was so mutualist yet riddled with a radical edge, I fi=
nally gave in and we wound up thinking about various theories on art for ho=
urs.
When he left I told myself I wouldn't give in on the next artist but =
when she arrived and started to rub my subjectivity to a point of exhibitio=
nist, performance type exhilarations I fell prey to temptation and shared m=
y new ideas with her too.
The next day I told the artist who came over up front that there woul=
d be absolutely no chance of sharing my concepts. But my creative juices st=
arted to flow as this artist rubbed his hands all over my funding proposals=
and before I knew it I was administrating his project and crying out his n=
ame as he educated me on the living room sofa. I'm starting to think I migh=
t just be a student, thank God all this casual art is being done discretely=
through. I wouldn't want my friends to know just how many artists I have m=
et this week.
marc garrett's writings
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<P><FONT face="Courier New" color=#008000><B>Sleazy Art meetings=
(2)</B></FONT></P>
<P><FONT color=#000080><B><FONT face="Courier New" color=#00800=
0>Rubbing
My Subjective Intentions into a new conceptual plain.</FONT></B>
</FONT></P></DIV></TD></TR>
<TR>
<TD vAlign=top align=left height=601><FONT
face="Courier New, Courier, mono" color=#000000 size=2><BR>I ju=
st got a
new set of ideas. The class today went exceptionally well and I love =
my
new appearance. The only drawback, if you can call it a drawback, is =
that
I'm supposed to think heavily about them several times a day. I can g=
et a
little lazy doing this so I figured out a way to make it a little mor=
e
exciting. I put up an ad on the Artist anonymous system looking for=
conceptualists who would like to massage my new processed intentions.=
<BR><BR>Now I'm not exactly a fully fledged artist or anything, but I=
figured there would be nothing wrong with me looking for a little hel=
p
with my theoretical needs. Although I never realized just how excitin=
g and
interesting post-structuralism can really be when done by informed an=
d
famous net artists. I guess I never really thought about it, as whene=
ver I
had a lecturer touch them before it led to a more modernist experienc=
e.
<BR><BR>The first artist to come over seemed very nice. I told him it=
was
a theoretical massage and there would be no art as yet. He started by=
rubbing the appropriate concepts through my recently tie dyed, colleg=
e
t-shirt and then I took my top off and let him consider them visually=
instead of just ideas in his head. It was so mutualist yet riddled wi=
th a
radical edge, I finally gave in and we wound up thinking about variou=
s
theories on art for hours. <BR><BR>When he left I told myself I would=
n't
give in on the next artist but when she arrived and started to rub my=
subjectivity to a point of exhibitionist, performance type exhilarati=
ons I
fell prey to temptation and shared my new ideas with her too. <BR><BR=
>The
next day I told the artist who came over up front that there would be=
absolutely no chance of sharing my concepts. But my creative juices=
started to flow as this artist rubbed his hands all over my funding=
proposals and before I knew it I was administrating his project and c=
rying
out his name as he educated me on the living room sofa. I'm starting =
to
think I might just be a student, thank God all this casual art is bei=
ng
done discretely through. I wouldn't want my friends to know just how =
many
artists I have met this week. </FONT></TD></TR>
<TR>
<TD>
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color=#9999ff size=1><A class=unnamed1
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garrett's
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BlankSleazy Art Meetings (2)
Rubbing My Subjective Intentions into a new conceptual plain.
I just got a new set of ideas. The class today went exceptionally well and =
I love my new appearance. The only drawback, if you can call it a drawback,=
is that I'm supposed to think heavily about them several times a day. I ca=
n get a little lazy doing this so I figured out a way to make it a little m=
ore exciting. I put up an ad on the Artist anonymous system looking for con=
ceptualists who would like to massage my new processed intentions. Now I'm =
not exactly a fully fledged artist or anything, but I figured there would b=
e nothing wrong with me looking for a little help with my theoretical needs=
. Although I never realized just how exciting and interesting post-structur=
alism can really be when done by informed and famous net artists. I guess I=
never really thought about it, as whenever I had a lecturer touch them bef=
ore it led to a more modernist experience. The first artist to come over se=
emed very nice. I told him it was a theoretical massage and there would be =
no art as yet. He started by rubbing the appropriate concepts through my re=
cently tie dyed, college t-shirt and then I took my top off and let him con=
sider them visually instead of just ideas in his head. It was so mutualist =
yet riddled with a radical edge, I finally gave in and we wound up thinking=
about various theories on art for hours. When he left I told myself I woul=
dn't give in on the next artist but when she arrived and started to rub my =
subjectivity to a point of exhibitionist, performance type exhilarations I =
fell prey to temptation and shared my new ideas with her too. The next day =
I told the artist who came over up front that there would be absolutely no =
chance of sharing my concepts. But my creative juices started to flow as th=
is artist rubbed his hands all over my funding proposals and before I knew =
it I was administrating his project and crying out his name as he educated =
me on the living room sofa. I'm starting to think I might just be a student=
, thank God all this casual art is being done discretely through. I wouldn'=
t want my friends to know just how many artists I have met this week.
marc garrett
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<DIV>
<DIV><STRONG><FONT size=5>Sleazy Art Meetings (2)</FONT></STRONG></DIV>
<DIV><STRONG><FONT size=4></FONT></STRONG> </DIV>
<DIV><STRONG><FONT size=4><U>Rubbing My Subjective Intentions into a new=
conceptual plain.<BR></U></DIV></BIG><BIG><BIG><FONT
size=5></FONT></BIG></BIG></FONT></STRONG>
<DIV><BIG><B><BIG><FONT size=5>I just got a new set of ideas. The cl=
ass
today went exceptionally well and I love my new appearance. The only=
drawback, if you can call it a drawback, is that I'm supposed to think
heavily about them several times a day. I can get a little lazy doing =
this
so I figured out a way to make it a little more exciting. I put up an ad on=
the
Artist anonymous </FONT><FONT size=5>system looking for conceptualis=
ts who
would like to massage my new processed intentions. Now I'm not exactly
a fully fledged artist or anything, but I figured there would be=
nothing wrong with me looking for a little help with my theoretic=
al
needs. Although I never realized just how exciting and
interesting post-structuralism can really be when done by informed&nbs=
p;and
famous net artists. I guess I never really thought about it, as whenever I =
had
a lecturer touch them before it led to a more modernist experience. Th=
e
first artist to come over seemed very nice. I told him it was
a theoretical massage and there would be no art as yet. He started by=
rubbing the appropriate concepts through my recently tie dyed, college=
t-shirt and then I took my top off and let him consider them visually=
instead of just ideas in his head. It was so mutualist yet riddle=
d
with a radical edge, I finally gave in and we wound up thinking
about various theories on art for hours. When he left I told myself I=
wouldn't give in on the next artist but when she arrived and started t=
o rub
my subjectivity to a point of exhibitionist, performance type exhilara=
tions
I fell prey to temptation and shared my new ideas with her too. T=
he
next day I told the artist who came over up front that there would be=
absolutely no chance of sharing my concepts. But my creative juices started=
to
flow as this artist rubbed his hands all over my funding
proposals and before I knew it I was administrating his proj=
ect
and crying out his name as he educated me on the living room sofa. I'm=
starting to think I might just be a student, thank God all this casual =
;art
is being done discretely through. </FONT><FONT size=5>I wouldn't want my =
friends
to know just how many artists I have met this week.
</FONT></BIG></B></BIG></DIV>
<DIV><BIG><B><BIG><FONT size=5></FONT></BIG></B></BIG> </DIV>
<DIV><BIG><BIG><FONT size=3>marc garrett</FONT></BIG></BIG></DIV></DIV>
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