M->Orphic Jounal June volume 2

https://archive.org/details/MOrphicArrowsCyberDrawingJournal1_2015

In this volume the differentiation between primary and secondary agency ie a concept of nature and an experience of naturallness out of which the agency is recognised is displaced from such Romantic and Midieval coeficients s as inform Cezanne's Nature thinking Through the artist or Freidrich's displacement to a picture zone of its own topesthesia to the drawings own self mapping by which it both is an symbolises language particularly through its archiving- the interactive immersion and generativity strategies. These include relating the cyber loop to a labyrinthean sense of time, of the visual- verbal space by which I interrupt "titles" by writing, and the converse internal mode of identifying my millions of drawings numerically yet in this process approaching the number with a drawing , a different idea of motion than indices. Along the way the cbyer mode maps both inside out and outside in, and the creation of dimension which conceals dimension is experienced through the fielding and streaming of the software which for example can create color atmosphere out of complex process and remove it with a parallelism or horismus-litote equally complex between simulacrae and parallelism as the poisis of a poetic in the cruel theatre of limming displacing the subliminal through an exigency beyond transgression and contingency. (lim- limit- drawing)