HTTP/1
Posted by Rhizomer on August 1, 2005 9:33 am
HTTP/1.1-200-OK--Date:-Mon,-01-Aug-2005-16:31:33-GMT--Server:-Apache/2
.0.50-(Fedora)--Last-Modified:-Mon,-01-Aug-2005-05:17:56-GMT--ETag:-"a
b98e9-29b0-5aaa2900"--Accept-Ranges:-bytes--Content-Length:-10672--Con
nection:-close--Content-Type:-text/html-----------a:hover-{text-decora
tion:-underline--}---a-{text-decoration:-none;-color:-#ffffff}---body-
{Font-family:-"Arial-Narrow,-Arial,-Verdana,-sans-serif"}--------relat
ed-to-Barok,-which-explores-the-impact-of-language-on-advanced-researc
h,---in-a-culture-whose-economy-is-based-on-production-through-knowled
ge.---Using-a-novel-approach-informed-by-artistic-practice,-it-brings-
together---unlikely-partners,-in-a-series-of-collaborations-and-discus
sions.-Here,-new---understandings-are-reached-about-the-work-which-we-
both-generate-and-value,---through-a-vernacular-which-evolves-from-the
-enclosures-of-specialization.---The-project-is-called:-Barok:-Studies
-in-Nomadic-Information."---content=--"-designer--design--art--define-
beauty--aesthetic-object--Barok:-Studies-of-Nomadic-Information/Nomadi
c-Observations-of-Beauty--art-and-science--art-and-language--aesthetic
s-and-information--art-and-economy--linguistics-and-information--philo
sophy-and-information--architecture-and-art--new-Baroque--art-journal-
-design-journal--science-journal--interdisciplinary--interdisciplinari
ty--innovation--"-----[New]Barok:-Studies-of-Nomadic-Information,-Noma
dic-Observations-of-Beauty--------------------------------google_ad_cl
ient-=-"pub-1520554961550463";--google_ad_width-=-728;--google_ad_heig
ht-=-15;--google_ad_format-=-"728x15_0ads_al_s";--google_ad_channel-="
";--google_color_border-=-"333333";--google_color_bg-=-"000000";--goog
le_color_link-=-"FFFFFF";--google_color_url-=-"999999";--google_color_
text-=-"CCCCCC";--//-------src="http://pagead2.googlesyndication.com/p
agead/show_ads.js"---------------------FONT-SIZE:-10pt;-COLOR:-white;-
FONT-FAMILY:-'Arial-Narrow'"--borderColor=#e8e8e7-bgColor=#e8e8e7-ALIG
N-="center"------------style="BACKGROUND-COLOR:-#838d99"----About-Bar&
#333;k------------style="BACKGROUND-COLOR:-#838d99"----Issues---------
---style="BACKGROUND-COLOR:-#838d99"----New-Market------------style="B
ACKGROUND-COLOR:-#838d99"---Subscribe----------style="BACKGROUND-COLOR
:-#838d99"----Contact--------------------------------------------Histo
rically,-the-Baroque-included-the-act-or-result--------of-curving-or-b
ending-and-usually-referred-to-visual-forms.-The--[new]-Barōk,-re
fers-to-an-action,-rather-than-a--------physical-characteristic.-It-de
scribes-the-forces-that-act-upon-information,-------causing-it-to-twis
t-and-turn--------into-new-meanings.----------------------------------
style="FONT-SIZE:-10pt;-COLOR:-white;-FONT-FAMILY:-'Arial-Narrow';-BAC
KGROUND-COLOR:-#838d99"--------Dear-Reader,-------Welcome-to-our-web-s
ite!-We-are-about-to-launch-our-first-publication:------------------Ba
rōk:-Nomadic-Observations-of-Beauty-------Our-intent-is-to-identi
fy-objects-and-moments-of-exceptional-beauty,-----which-are-often-over
looked-because-of-the-complexity-of-information-which-flows-around-us-
every-day.-----Unlike-traditional-publications,-Barōk-seeks-to-lo
cate-nomadic-occurrences-of-beauty-which-may-at-times-----lie-outside-
of-the-established-venues-of-culture;-we-seek-beauty-in-the-unexpected
.----As-creative-thinkers,-we-find-ourselves-in-unusual-times,-and-it-
seemed-only-fitting-to-structure-a-publication--in-a-manner-which 
;-------honestly-reflects-its-place-of-origin:-a-culture-based-on-exch
ange.-----------------------Things-are-a-part-of-our-life;-accumulatin
g-can--------define-us,-acquiring-can-inspire-us,-and-selling-things-w
e-no-longer-want,-can-at-times-be-truly--------exhilarating.-But-thing
s-only-attract-our-attention-momentarily;-Other--------thoughts-and-ex
periences-rush-in,-and-then-quickly-move-on.-We-are--------accustomed-
to-these-fluctuations,-and-can-even-derive-pleasure-from--------them;-
it-is-clear-that-these-small-shifts-often-define-life--------in o
ur-information-world.-Why-is-the-publication-named:--------Barōk:
-Nomadic-Observations-of-Beauty?----Since-the-end-of-the-20th-century,
-information-has-come-to-be-regarded--------as-something-utilitarian;-
it-is-now-an-economic-resource,-and-is--------considered-on-par-with-o
ther-resources-such-as-labor,-material-or-capital.--------Information-
is-also-unique,-in-that-it-is-ephemeral,-and-quickly-changes--------fo
rm-and-meaning-depending-on-the-context-in-which-it-is-found.---------
---With-this-in-mind,-Barōk:-Nomadic-Observations-of-Beauty,--ref
ers-to-moments-in-our-culture-where-flows-of-information-intersect-and
--cross-over,-creating-unique-forms-which-can-clearly-be-described-as-
beautiful.-------------Beauty-in-this-sense-is-not-static,-but-a-recog
nition-or--observation,-which-occurs-only-for-a-brief-and-transitory-m
oment,-and-then-is--gone-forever;-except-in-memory-or-by-the-artifacts
-it-leaves-behind.-------------Beauty-has-great-importance-in-the-worl
d-of--------information-because-it-becomes-a-carrier-of-meaning.------
--Unlike-science,-it-does-not-investigate-the-causes-of-an-object-----
---or-event.-Where-the-sciences-seek-to-explain;-beauty-only-identifie
s.--------But-identification-within-a-complex-stream-of-words-and-symb
ols-provides-new--------directions-and-indicators,-and-opens-up-fresh-
possibilities;-inventing-words,-objects,--------and-experiences-where-
before-there-was-only-the-chatter-of-the-familiar-and--------meaningle
ss.--------------What-can-I-expect-from-this-publication?------Bar!
3;k-is-intended-for-a-unique-reader,-who-wishes-to-identify,-observe,-
and-understand-nomadic-forms-of-beauty-submerged-within-the-informatio
n-of-our-culture.-It-is-also-a-source-for-purchasing-unique-objects,-w
hich-are-aligned-with-current-and-transitory-cultural-trends.-------It
-is-our-hope-that-Barōk-will--------provide-our-readers-with-both
-a-calm--------refuge-and-at-times-the-challenge-of-the-unfamiliar.-Si
nce-Barōk-seeks-to-identify-beauty-which-resides-outside-of-the-e
stablished-venues-of-culture,-we-travel-into-areas-of-interest-which-w
ould-otherwise-be-excluded-from-traditional-aesthetic-concerns,-(i.e.-
museums,-galleries,-design-publications,-corporations,-and--------othe
rs-who-may-define-our-public-sense-of-beauty).-This-does-not-mean-we-w
ill-not-include-these--------sources,-but-they-will-not-define-the-lim
its-of-our-investigations.-We-hope-to--------prove,-beauty-can-be-foun
d-in-the-most-unusual-places,-and-beautiful--------objects-can-be-made
-from-almost-anything;-or-nothing.-After-all,-life--------in-a-world-i
nundated-with-data-is-far-too-serious-to-not-allow-for-some--------for
ms-of-play,-and-Barōk-intends-to-provide-many-such-opportunities.
--------------------------------As-a-monthly-publication,--------Bar&#
333;k-will-feature-four-distinct-areas:-------------Objects--Images-of
-unusual--------objects;-from-unlikely-places:-These-images-will-docum
ent-objects-of--------beauty-found-by-researchers-from-many-fields,-in
cluding-the-arts,--------humanities-and-sciences.-------Emerging-obser
vations,--New--------ideas-from-the-disciplines:-including-art,-scienc
e,-technology,-economics,--------and-many-other-fields-as-observations
-occur.-------Historical-observations--Ideas-which-are-already-archive
d:-relevant-ideas-which-may-bubble-up-for-researchers--at-particular-i
ntersections-of-culture.----The-New-Market----This-is-the-most-unusual
-part-of--------Barōk.-The-concept-behind-the-New-Market-is-to-pr
ovide-----------subscribers-with-an-opportunity-to-purchase-unique-obj
ects,-which-are-both-----------beautiful-and-intriguing.-We-are-hoping
-to-develop-new-markets,-for-ideas,-----------information,-and-things,
-which-may-not-easily-fit-into-traditonal-categories-of-commerce.-----
--------The-objects-offered-will-reflect-the-theme-of-----------the-is
sue,-be-in-limited-quantity,-and-only-be-on-sale-for-a-brief-period---
--------of-time,-(the-first-week-after-the-issue-is-published).-The-ob
jects-will-be-submitted-----------by-an-evolving-group-of-artists,-des
igners,-scientists-and-engineers.-The-proceeds-----------from-the-sale
s-of-the-objects-will-in-part-support-the-broader-----------organizati
on,-Barōk:-Studies-in-Nomadic-Information,-whose-intent-is-to----
-------serve-under-funded-research-areas-in-the-arts-and-sciences-and-
broaden-our-----------understanding-of-these-complex-practices.-)---Pl
ease-click-on-the-Issues-button-at-the-top-of-the-page-to-learn-more-a
bout-the-upcoming-issue.---------------------------------------------T
hank-you-for-your-interest.-----------style="FONT-WEIGHT:-normal"-----
----Marta-Lyall---------------Editor--------------Barōk:-Nomadic-
Observations-of-Beauty--------2442-NW-Market-Street--------Suite-131--
------Seattle,-WA-98107---------------editor@newbarok.org-------------
--------http://pagead2.googlesyndication.com/pagead/show_ads.js-------
-http://www.newbarok.org
_
ASCII SELECTED RANDOM FRAGMENTS GENERATOR V0.4 beta
X-Powered-By: HTTP://X257.COM
.0.50-(Fedora)--Last-Modified:-Mon,-01-Aug-2005-05:17:56-GMT--ETag:-"a
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nection:-close--Content-Type:-text/html-----------a:hover-{text-decora
tion:-underline--}---a-{text-decoration:-none;-color:-#ffffff}---body-
{Font-family:-"Arial-Narrow,-Arial,-Verdana,-sans-serif"}--------relat
ed-to-Barok,-which-explores-the-impact-of-language-on-advanced-researc
h,---in-a-culture-whose-economy-is-based-on-production-through-knowled
ge.---Using-a-novel-approach-informed-by-artistic-practice,-it-brings-
together---unlikely-partners,-in-a-series-of-collaborations-and-discus
sions.-Here,-new---understandings-are-reached-about-the-work-which-we-
both-generate-and-value,---through-a-vernacular-which-evolves-from-the
-enclosures-of-specialization.---The-project-is-called:-Barok:-Studies
-in-Nomadic-Information."---content=--"-designer--design--art--define-
beauty--aesthetic-object--Barok:-Studies-of-Nomadic-Information/Nomadi
c-Observations-of-Beauty--art-and-science--art-and-language--aesthetic
s-and-information--art-and-economy--linguistics-and-information--philo
sophy-and-information--architecture-and-art--new-Baroque--art-journal-
-design-journal--science-journal--interdisciplinary--interdisciplinari
ty--innovation--"-----[New]Barok:-Studies-of-Nomadic-Information,-Noma
dic-Observations-of-Beauty--------------------------------google_ad_cl
ient-=-"pub-1520554961550463";--google_ad_width-=-728;--google_ad_heig
ht-=-15;--google_ad_format-=-"728x15_0ads_al_s";--google_ad_channel-="
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text-=-"CCCCCC";--//-------src="http://pagead2.googlesyndication.com/p
agead/show_ads.js"---------------------FONT-SIZE:-10pt;-COLOR:-white;-
FONT-FAMILY:-'Arial-Narrow'"--borderColor=#e8e8e7-bgColor=#e8e8e7-ALIG
N-="center"------------style="BACKGROUND-COLOR:-#838d99"----About-Bar&
#333;k------------style="BACKGROUND-COLOR:-#838d99"----Issues---------
---style="BACKGROUND-COLOR:-#838d99"----New-Market------------style="B
ACKGROUND-COLOR:-#838d99"---Subscribe----------style="BACKGROUND-COLOR
:-#838d99"----Contact--------------------------------------------Histo
rically,-the-Baroque-included-the-act-or-result--------of-curving-or-b
ending-and-usually-referred-to-visual-forms.-The--[new]-Barōk,-re
fers-to-an-action,-rather-than-a--------physical-characteristic.-It-de
scribes-the-forces-that-act-upon-information,-------causing-it-to-twis
t-and-turn--------into-new-meanings.----------------------------------
style="FONT-SIZE:-10pt;-COLOR:-white;-FONT-FAMILY:-'Arial-Narrow';-BAC
KGROUND-COLOR:-#838d99"--------Dear-Reader,-------Welcome-to-our-web-s
ite!-We-are-about-to-launch-our-first-publication:------------------Ba
rōk:-Nomadic-Observations-of-Beauty-------Our-intent-is-to-identi
fy-objects-and-moments-of-exceptional-beauty,-----which-are-often-over
looked-because-of-the-complexity-of-information-which-flows-around-us-
every-day.-----Unlike-traditional-publications,-Barōk-seeks-to-lo
cate-nomadic-occurrences-of-beauty-which-may-at-times-----lie-outside-
of-the-established-venues-of-culture;-we-seek-beauty-in-the-unexpected
.----As-creative-thinkers,-we-find-ourselves-in-unusual-times,-and-it-
seemed-only-fitting-to-structure-a-publication--in-a-manner-which 
;-------honestly-reflects-its-place-of-origin:-a-culture-based-on-exch
ange.-----------------------Things-are-a-part-of-our-life;-accumulatin
g-can--------define-us,-acquiring-can-inspire-us,-and-selling-things-w
e-no-longer-want,-can-at-times-be-truly--------exhilarating.-But-thing
s-only-attract-our-attention-momentarily;-Other--------thoughts-and-ex
periences-rush-in,-and-then-quickly-move-on.-We-are--------accustomed-
to-these-fluctuations,-and-can-even-derive-pleasure-from--------them;-
it-is-clear-that-these-small-shifts-often-define-life--------in o
ur-information-world.-Why-is-the-publication-named:--------Barōk:
-Nomadic-Observations-of-Beauty?----Since-the-end-of-the-20th-century,
-information-has-come-to-be-regarded--------as-something-utilitarian;-
it-is-now-an-economic-resource,-and-is--------considered-on-par-with-o
ther-resources-such-as-labor,-material-or-capital.--------Information-
is-also-unique,-in-that-it-is-ephemeral,-and-quickly-changes--------fo
rm-and-meaning-depending-on-the-context-in-which-it-is-found.---------
---With-this-in-mind,-Barōk:-Nomadic-Observations-of-Beauty,--ref
ers-to-moments-in-our-culture-where-flows-of-information-intersect-and
--cross-over,-creating-unique-forms-which-can-clearly-be-described-as-
beautiful.-------------Beauty-in-this-sense-is-not-static,-but-a-recog
nition-or--observation,-which-occurs-only-for-a-brief-and-transitory-m
oment,-and-then-is--gone-forever;-except-in-memory-or-by-the-artifacts
-it-leaves-behind.-------------Beauty-has-great-importance-in-the-worl
d-of--------information-because-it-becomes-a-carrier-of-meaning.------
--Unlike-science,-it-does-not-investigate-the-causes-of-an-object-----
---or-event.-Where-the-sciences-seek-to-explain;-beauty-only-identifie
s.--------But-identification-within-a-complex-stream-of-words-and-symb
ols-provides-new--------directions-and-indicators,-and-opens-up-fresh-
possibilities;-inventing-words,-objects,--------and-experiences-where-
before-there-was-only-the-chatter-of-the-familiar-and--------meaningle
ss.--------------What-can-I-expect-from-this-publication?------Bar!
3;k-is-intended-for-a-unique-reader,-who-wishes-to-identify,-observe,-
and-understand-nomadic-forms-of-beauty-submerged-within-the-informatio
n-of-our-culture.-It-is-also-a-source-for-purchasing-unique-objects,-w
hich-are-aligned-with-current-and-transitory-cultural-trends.-------It
-is-our-hope-that-Barōk-will--------provide-our-readers-with-both
-a-calm--------refuge-and-at-times-the-challenge-of-the-unfamiliar.-Si
nce-Barōk-seeks-to-identify-beauty-which-resides-outside-of-the-e
stablished-venues-of-culture,-we-travel-into-areas-of-interest-which-w
ould-otherwise-be-excluded-from-traditional-aesthetic-concerns,-(i.e.-
museums,-galleries,-design-publications,-corporations,-and--------othe
rs-who-may-define-our-public-sense-of-beauty).-This-does-not-mean-we-w
ill-not-include-these--------sources,-but-they-will-not-define-the-lim
its-of-our-investigations.-We-hope-to--------prove,-beauty-can-be-foun
d-in-the-most-unusual-places,-and-beautiful--------objects-can-be-made
-from-almost-anything;-or-nothing.-After-all,-life--------in-a-world-i
nundated-with-data-is-far-too-serious-to-not-allow-for-some--------for
ms-of-play,-and-Barōk-intends-to-provide-many-such-opportunities.
--------------------------------As-a-monthly-publication,--------Bar&#
333;k-will-feature-four-distinct-areas:-------------Objects--Images-of
-unusual--------objects;-from-unlikely-places:-These-images-will-docum
ent-objects-of--------beauty-found-by-researchers-from-many-fields,-in
cluding-the-arts,--------humanities-and-sciences.-------Emerging-obser
vations,--New--------ideas-from-the-disciplines:-including-art,-scienc
e,-technology,-economics,--------and-many-other-fields-as-observations
-occur.-------Historical-observations--Ideas-which-are-already-archive
d:-relevant-ideas-which-may-bubble-up-for-researchers--at-particular-i
ntersections-of-culture.----The-New-Market----This-is-the-most-unusual
-part-of--------Barōk.-The-concept-behind-the-New-Market-is-to-pr
ovide-----------subscribers-with-an-opportunity-to-purchase-unique-obj
ects,-which-are-both-----------beautiful-and-intriguing.-We-are-hoping
-to-develop-new-markets,-for-ideas,-----------information,-and-things,
-which-may-not-easily-fit-into-traditonal-categories-of-commerce.-----
--------The-objects-offered-will-reflect-the-theme-of-----------the-is
sue,-be-in-limited-quantity,-and-only-be-on-sale-for-a-brief-period---
--------of-time,-(the-first-week-after-the-issue-is-published).-The-ob
jects-will-be-submitted-----------by-an-evolving-group-of-artists,-des
igners,-scientists-and-engineers.-The-proceeds-----------from-the-sale
s-of-the-objects-will-in-part-support-the-broader-----------organizati
on,-Barōk:-Studies-in-Nomadic-Information,-whose-intent-is-to----
-------serve-under-funded-research-areas-in-the-arts-and-sciences-and-
broaden-our-----------understanding-of-these-complex-practices.-)---Pl
ease-click-on-the-Issues-button-at-the-top-of-the-page-to-learn-more-a
bout-the-upcoming-issue.---------------------------------------------T
hank-you-for-your-interest.-----------style="FONT-WEIGHT:-normal"-----
----Marta-Lyall---------------Editor--------------Barōk:-Nomadic-
Observations-of-Beauty--------2442-NW-Market-Street--------Suite-131--
------Seattle,-WA-98107---------------editor@newbarok.org-------------
--------http://pagead2.googlesyndication.com/pagead/show_ads.js-------
-http://www.newbarok.org
_
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us-Fugit-----------------Raquel-Herrera-estuvo-en-Merida-durante-la-b
ienal-Interactiva-05-y-publica-un-comentario-en-su-weblog,-incluyendo-
un-listado-de-links-relacionados.----¿Todavia-no-tienes-Tempus-Fugit
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eply-»»----------------------Name-------------------Email-
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antilla-equiX,-------diseñada-por-Marcos-Sader----------1.025--
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track--------http://www.dunadigital.com/adee/noticias/?pG6..Just.f
ollow.the..steps.correctly.and.we.settled.the.rest.for.you.
.....Surfing.on.your.website.was.fun..Buying.remedy.at.y
our.e-zone.was.worth.it...Experience.its.healing.effects.was
.expected..Gain.the.speedy.delivery.was.an..extra..Overall,
.I.am.very.sati
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--------Info-------------------Admin-------------------Registro-------
------------RSS-----------------fit-into-the-template.-i've-activated-
the-archives-one-by-default-(take-a-look-at-the-readme-file)-but-you-c
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-------------------Interactiva-05-en-Tempus-Fugit--------------------R
aquel-Herrera-estuvo-en-MArida-durante-la-bienal-Interactiva-05-y-pub
lica-un-comentario-en-su-weblog,-incluyendo-un-listado-de-links-relaci
onados.----ATodavAa-no-tienes-Tempus-Fugit-en-tu-lista-de-sindicacio
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ng="http://www.dunadigital.com/adee/noticias/wp-trackback.php?pG6"-/
--------------------------------Incuba.-AmpliaciAn-de-plazo----------
----------La-SubsecretarAa-de-Cultura-de-Santa-Cruz,-a-travAs-del-Co
mplejo-Cultural-Santa-Cruz-y-del-Estudio-Mediatiqa,-convoca-a-artistas
-contemporAneos-nacionales-e--internacionales,-a-participar-del-1er.-
Festival-de-Arte-ElectrAnico-INCUBA-2005,-cuyo-objetivo-es-promover-l
a-relaciAn-entre-el-arte-y-la-cultura-electrAnica.----El-primer-fest
ival-de-artes-electrAnicas-INCUBA-2005-incluirA-muestras,-conferenci
as,-talleres-y-otras-actividades.-Se-realizarA-del-22-al-28-de-Septie
mbre-del-2005--en-el-Complejo-Cultural-Santa-Cruz-de-RAo-Gallegos,-pr
ovincia-de-Santa-Cruz,-en-la-RepAblica-Argentina,-y-en-otros-espacios
-asociados.----Se-puede-participar-en-las-categorAas-de-impresiAn-di
gital,-animaciAn,-video,-soportes-multimedia,-instalaciones,-interven
ciones,-sonido-y-mAsica-electrAnica,--net.art-y-objetos.-La-convocat
oria-cierra-el-15-de-agosto-de-2005-----www.incubafestival.com.ar/----
-----------------por-svcnt-|-2005/07/31-|-Convocatorias----lang:Es----
artes.digitales-|-Trackback-|-No-Comments-»-----------------xmlns
:dc="http://purl.org/dc/elements/1.1/"-------xmlns:trackback="http://m
adskills.com/public/xml/rss/module/trackback/"---------dc:identifier="
http://www.dunadigital.com/adee/noticias/?pG5"------dc:title="Incuba
.-AmpliaciAn-de-plazo"------trackback:ping="http://www.dunadigital.co
m/adee/noticias/wp-trackback.php?pG5"-/-----------------------------
---Teknokultura--------------------Teknokultura-es-una-revista-anual-e
ditada-por-la-Universidad-de-Puerto-Rico.-Para-su-quinto-nAmero-y-has
ta-el-prAximo-mes-de-abril-(2006)-buscan-artAculos,-obras-o-comunica
ciones-sobre-cualquier-tema-relacionado-con-laintersecciAnentrearteci
enciaytecnologAa---,-y-en-especial-sobre-asuntos-relacionados-con-tec
nologAas-wireless.-----La-revista-online-Teknokultura,-de-la-Facultad
-de-Ciencias-Sociales-de-la-Universidad-de-Puerto-Rico,-Recinto-de-RA
o-Piedras,-anuncia-la-convocatoria-para-evaluar-artAculos-y-obras-de-
arte-electrAnico-relacionados-a-la-integraciAn-de-la-tecnologAa-a-l
a-vida-cotidiana-y-el-mundo-del-trabajo.-TambiAn-recibimos-reseAas-d
e-libros,-actividades-y-websites,-piezas-literarias-y-caricaturas-asoc
iadas-a-estos-temas.-Para-este-numero-se-darA-especial-consideraciAn
-a-trabajos-relacionados-a-tecnologAas-inalAmbricas-(wireless)-----(
more…)---------------------por-svcnt-|-2005/07/31-|-Convocatoria
s----Textos----lang:Babel----Publicaciones-|-Trackback-|-No-Comments-&
#187;-----------------xmlns:dc="http://purl.org/dc/elements/1.1/"-----
--xmlns:trackback="http://madskills.com/public/xml/rss/module/trackbac
k/"---------dc:identifier="http://www.dunadigital.com/adee/noticias/?p
G4"------dc:title="Teknokultura"------trackback:ping="http://www.dun
adigital.com/adee/noticias/wp-trackback.php?pG4"-/------------------
--------------Ahhh…-Chihuahua!!--------------------La-Embajada-d
e-MAxico-en-Buenos-Aires-a-travAs-de-su-Instituto-Cultural-y-la-Cate
dra-Groisman-www.fadu.uba.ar/catedras/groisman/index.html-los-invitan-
a-la-conferencia:---aEoeAhhhaEChihuahua!!aE-La-obra-del-artista-visua
l-Fernando-Llanos,-revisada-a-partir-de-su-interAs-por-los-perros-chi
huahueAos.---viernes-5-de-agosto-,-21hs,-2005.-aula-309--3er-piso.---
aEoeEl-perro-chihuahueAo-es-el-perro-mas-pequeAo-del-mundo,-con-el-no
mbre-del-estado-mAs-grande-de-la-RepAblica-MexicanaaE---Fernando-Ll
anos-(28/05/1974)-es-un-artista-visual-de-la-Ciudad-de-MAxico.--Traba
ja-principalmente-con-video,-la-red-y-el-dibujo.-Sus-trabajos-se-han-p
resentado-en-el-Festival-de-Nuevo-Cine-y-Nuevos-Medios-de-Montreal,-Wo
rld-Wide-Video-Festival-(Amsterdam),-Transmediale-(BerlAn),-Interfer
ence-(Francia),-Viart-(Venezuela),-INPUT-(PanamA),-Vid@arte-(MAxico)
,-Videochroniques-(Marsella),-Video-do-Minuto-(Brasil),-Museo-Guggenhe
im-(Nueva-York),-etc.-Lleva-los-Altimos-aAos-trabajando-con-el-video
arte-en-lAnea:-www.fllanos.com,-y-con-presentaciones-en-vivo-de-manip
ulaciAn-y-mezcla-de-video.-Ha-sido-curador-y-organizador-de-exposicio
nes-y-concursos-de-video.-Actualmente-tambiAn-es-profesor-de-Arte-Dig
ital-y-de-Video-y-nuevas-tecnologAas.-----www.fllanos.com------------
---------por-svcnt-|-2005/07/31-|-Eventos----Video-|-Trackback-|-No-Co
mments-»-----------------xmlns:dc="http://purl.org/dc/elements/1.
1/"-------xmlns:trackback="http://madskills.com/public/xml/rss/module/
trackback/"---------dc:identifier="http://www.dunadigital.com/adee/not
icias/?pG3"------dc:title="Ahhh…-Chihuahua!!"------trackback:p
ing="http://www.dunadigital.com/adee/noticias/wp-trackback.php?pG3"-
/--------------------------------Experimentos-Culturales--------------
------Desde-Ecuador:---Experimentos-Culturales-es-un-colectivo-interdi
sciplinario-conformado-por-antropAlogos,-artistas-y-diseAadores.-Des
de-la-revista-se-ha-realizado-y-promovido-propuestas-culturales,-con-u
na-presencia-en-la-red-desde-el-2002-.-La-pAgina-se-ha-constituido-en
-un-medio-de-difusiAn-de-la-producciAn-artAstica,-del-pensamiento-c
rAtico-y-de-datos-culturales-cotidianos.-----www.experimentoscultural
es.com/---------------------por-svcnt-|-2005/07/31-|-lang:Es----Comuni
dades----artes.digitales----arte.pAblico-|-Trackback-|-No-Comments-&#
187;-----------------xmlns:dc="http://purl.org/dc/elements/1.1/"------
-xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback
/"---------dc:identifier="http://www.dunadigital.com/adee/noticias/?p=
472"------dc:title="Experimentos-Culturales"------trackback:ping="http
://www.dunadigital.com/adee/noticias/wp-trackback.php?pG2"-/--------
------------------------Artecontexto.-Verano,-2005--------------------
Universo-Godard---Hace-ya-algAn-tiempo-que-deseAbamos-ofrecer-una-ap
roximaciAn-a-la-obra-del-director--de-cine-francAs-Jean-Luc-Godard-y
-por-fin-tenemos-la-satisfacciAn-de-presentar-este-primer--dossier-de
dicado-a-su-producciAn.-Los-motivos-de-este-interAs-son-mAltiples,-
no--sAlo-se-trata-de-uno-de-los-grandes-autores-cinematogrAficos-de-
la-segunda-mitad-del--siglo-XX-que-continAa-en-activo,-razAn-que-ser
Aa-mAs-que-suficiente,-ademAs-su-obra-ha--rebasado-el-Ambito-del-c
ine-para-convertirse-en-referente,-desde-los-aAos-setenta,-para--much
os-artistas-visuales-y-su-impronta-ha-calado-de-manera-extraordinaria-
en-el-trabajo--de-un-buen-nAmero-de-videoartistas-hasta-hoy-(Al-mism
o-ha-sido-uno-de-los-primeros-en--explorar-las-posibilidades-que-ofrec
Aa-la-realizaciAn-en-vAdeo);-incluso-se-podrAa-decir-que--su-influ
encia-estA-presente-en-artistas-que-desconocen-cAmo-muchos-de-los-re
cursos-y--de-los-mecanismos-visuales-que-utilizan-tienen-su-origen-en-
la-abierta-y-transgresora--obra-del-francAs.---Alicia-MurrAa---Y-tam
biAn-Godard-en-el-cibercontexto-que-firma-Natalia-Maya-----www.arteco
ntexto.com/----www.artecontexto.com/www/007/ciber_esp.pdf-------------
--------por-svcnt-|-2005/07/31-|-Textos----Publicaciones----artes.digi
tales----arte.contemporAneo----arte.pAblico-|-Trackback-|-No-Comment
s-»a------------------xmlns:dc="http://purl.org/dc/elements/1.1/"
-------xmlns:trackback="http://madskills.com/public/xml/rss/module/tra
ckback/"---------dc:identifier="http://www.dunadigital.com/adee/notici
as/?pG1"------dc:title="Artecontexto.-Verano,-2005"------trackback:p
ing="http://www.dunadigital.com/adee/noticias/wp-trackback.php?pG1"-
/--------------------------------Musix-GNU-+-Linux-0.19-en-espaAol-(l
ive-cd)--------------------Siguen-apareciendo-distribuciones-del-Linux
-orientadas-a-las-prActicas-artAsticas.-Musix-ha-sido-desarrollada-p
or-Marcos-Guglielmetti-atendiendo-a-las-necesidades-de-quienes-trabaja
n-en-audio.---Musix-es-un-Sistema-Operativo-Libre-orientado-a-mAsicos
-de-habla-hispana,-una-colecciAn-de-programas-libres.-El-sistema-se-i
nicia-desde-el-lector/grabador-de-CD/DVD,-sin-necesidad-de-instalar-na
da-en-tu-disco-rAgido.---Descargas:--ftp.gnu.org/gnu+linux-distros/ut
uto-e/---Descargas-por-torrent--200.32.4.29/utiles/torrent----”-
title=”https://e.ututo.org.ar/utiles/torrent/--”-target=&#
8221;_blank”-e.ututo.org.ar/utiles/torrent/-------www.pc-musica.
com.ar/musix/---------------------por-svcnt-|-2005/07/31-|-Recursos---
-Copyleft----Audio----langes-|-Trackback-|-No-Comments-»---------
--------xmlns:dc="http://purl.org/dc/elements/1.1/"-------xmlns:trackb
ack="http://madskills.com/public/xml/rss/module/trackback/"---------dc
:identifier="http://www.dunadigital.com/adee/noticias/?pG0"------dc:
title="Musix-GNU-+-Linux-0.19-en-espaAol-(live-cd)"------trackback:pi
ng="http://www.dunadigital.com/adee/noticias/wp-trackback.php?pG0"-/
--------------------------------Proyectos-de-Roberto-Aguirrezabala----
----------------El-texto-que-se-incluye-a-continuaciAn-procede-de-la-
revista-sobre-arte-actual-y-nuevos-medios-a-mAnima,-y-se-reproduce-gr
acias-al-permiso-de-sus-editores-----Todo-empezA-hace-unos-dAas.-Una
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fono-ya-le-notA-un-poco-jocoso,-asA-que-me-entrA-la-curiosidad-por-
saber-quA-tramaba.-Me-contA-que-tenAa-que-escribir-un-texto-sobre-s
u-trabajo-de-net.art-para-publicar-en-la-revista-a-mAnima.-El-problem
a-que-me-planteaba-era-que-Al-no-podAa-escribir-sobre-sA-mismo,-ade
mAs-ahora-estaba-inmerso-en-un-nuevo-proyecto-y-la-cabeza-la-tenAa-a
quA-y-se-le-hacAa-imposible-revisar-todo-lo-anterior.-TambiAn-querA
a-evitar-desvelar-cualquier-detalle-del-proyecto-en-el-que-estaba-tra
bajando.-AceptA,-pero-a-cambio-le-pedA-dos-condiciones:-que-me-invit
ara-a-comer-en-su-casa-(la-foto-es-prueba-de-ello)-y-que-no-apareciera
-mi-nombre.-AdemAs,-a-mi-me-movAa-otro-interAs:-averiguar-todo-lo-q
ue-pudiera-de-su-nuevo-proyecto.-Entonces-me-puse-a-trabajar:-recopilA
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e-incluye-Antegro-a-continuaciAn-procede-del-nAmero-12-de-la-revist
a-a-mAnima,-y-se-reproduce-con-el-permiso-de-los-editores.---Santofil
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santofile-nace-como-exigencia-expresiva-del-colectivo-globaldrome,-uno
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la.-El-experimento-artAstico-empezA-llamAndose-gomi-corporation,-cu
yas-piezas--han-desaparecido-del-ciberespacio,-de-ahA-se-convirtiA-e
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----------------------blog-art----------curators:-marisa-s.-olson-and-
abe-linkoln------------------------------Saturday,-August-13,-2005----
------ -------Johanna-Marxer's-"Minute-Library"------------http:/
/www.minutelibrary.com/present/index.php-------#-posted-by-Marisa-S.-O
lson-@-6:55-PM 1-comments- --------------------- ------
-"x257.com"------------http://x257.com/-------#-posted-by-Marisa-S.-Ol
son-@-6:54-PM 1-comments- -----------------------Wednesday,-
August-10,-2005---------- -------"postsecret"------------http://p
ostsecret.blogspot.com/-------#-posted-by-Marisa-S.-Olson-@-12:21-AM&n
bsp;2-comments- --------------------- -------893-"YOU-are-th
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-comments- --------------------- -------"blogebrity"--------
----http://blogebrity.com/-------#-posted-by-Marisa-S.-Olson-@-12:19-A
M 2-comments- --------------------- -------http://del.i
cio.us/tag/art------------http://del.icio.us/tag/art-------#-posted-by
-Abe-W.-Linkoln-@-12:18-AM 3-comments- ---------------------
-------freeway-blogger------------http://www.freewayblogger.com/
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------------------ -------marc-horowitz-"national-dinner-tour"---
---------http://www.ineedtostopsoon.com/-------#-posted-by-Marisa-S.-O
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--ze-frank-"ze's-blog"------------http://www.zefrank.com/zesblog/-----
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-------------- -------david-lynch-"daily-report"------------http:
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----jason-corace-"yesterday's-song"------------http://www.boynamethor.
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p;--------------------- -------eggagog-"THIS-IS-FUN-TO-MAKE-A-BLO
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--------------------- -------glue-factory-bob-"i-hate-horse
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;-------the-mtaa-reference-resource------------http://www.mteww.com/mt
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1-comments- --------------------- -------abe-linkoln-a
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-------#-posted-by-Marisa-S.-Olson-@-12:03-AM 1-comments- --
------------------- -------my-boyfriend-came-back-from-the-war-(a
be-linkoln's-2004-blog-mix)------------http://myboyfriendcamebackfromt
hewar.blogspot.com/-------#-posted-by-Abe-W.-Linkoln-@-12:02-AM 1
-comments- --------------------- -------marisa-s.-olson-"mar
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on-@-12:01-AM 0-comments- --------------------- -------
jimpunk-and-abe-linkoln-"screenfull.net"------------http://screenfull.
net/-------#-posted-by-Abe-W.-Linkoln-@-12:00-AM 1-comments- 
;-----------------------------------Contributors----Abe-W.-Linkoln--Ma
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ASCII SELECTED RANDOM FRAGMENTS GENERATOR V0.4 beta
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