GIGO from http://www.playdamage.org/market-o-matic/

> The vortex creates, the chaos profligates. […]

That was a sh*t load of a buzzwords, I really got tired of that when I
studying and later failed under the teaching of Mark Amerika there - I just
think it's only use is to confuse (but I guess it's cool to do… (or
perhaps you're making fun of all that)). There's a good quote:


—
Hear Peter Halley at the College Art Association conference, scolding
academics for the jargon-laden obscurantism of critical prose, although his
own writings on behalf of Baudrillard and the simulacrum thickened the stew
more than a little.

- Marcia E. Vetrocq
—


but I'll give you one more: Synchronicity.

* I was watching your, "I know that guy" video, which is about the chance
coincidence of someone you knew ten years ago on Times Square. At the same
time, I was listening to the Breeders, "Cannonball". As soon as "I know you"
was typed on the screen, "I know you" was sung by Kim Deal. Like, exactly in
sync. Woo.

* My gf also just emailed me about her first time at Times Square today.
Wooooo.

* I then looked at your bio, and saw that the most recent "Legacy Work" you
have listed is one at Cordell Taylor - which I was at not seven days ago.
Woooooo.

* This would all be less creepy if I wasn't reading this book:

http://www.amazon.com/exec/obidos/tg/detail/-/1569245991

Today.

So I'm thoroughly creeped out and am getting food. If I see you at Wild
Oats, I'm seriously going to freak out.

–
Justin Simoni
Playing around with life TWICE as hard, so you don't have to.

http://skazat.com - meta sketchbook
http://prolix.nu - art for your computer
http://justinsimoni.com - the portfolio of playing.














On 12/27/03 8:41 PM, "atomic elroy" <[email protected]> wrote:

> http://www.atomicelroy.com
> http://www.atomicelroy.com
> http://www.atomicelroy.com
> http://www.atomicelroy.com
>
>
> Work of Proto-Art in the Age of Artificial Reproduction
>
> The vortex creates, the chaos profligates. In the synaptic hallucination, art
> objects are calculations of the musings of the vortex – a vortex that uses
> the chaos as a zeitgeist to enmesh ideas, patterns, and emotions. With the
> evolution of the electronic environment, the vortex is superseding a point
> where it will be free from the chaos to transcend immersions into the
> machinations of the delphic hallucination. Work of Proto-Art in the Age of
> Artificial Reproduction contains 10 minimal quicktime engines (also refered to
> as "soundtoys") that enable the user to make buxom audio/visual compositions.
>
> measuring chains, constructing realities
> putting into place forms
> a matrix of illusion and disillusion
> a strange attracting force
> so that a seduced reality will be able to spontaneously feed on it
>
>
> atomic elroy's work investigates the nuances of pixels through the use of
> stopframe motion and close-ups which emphasize the Artificial nature of
> digital media. elroy explores abstract and stupid scenery as motifs to
> describe the idea of infinite hallucination. Using fresh loops, cathode rays,
> and neo-fascist images as patterns, elroy creates meditative environments
> which suggest the expansion of art…
>
> <– Obligatory ascii sig. Repeat until desired cyborg effect is achieved. –>
>
> /u[0]{)]|]]-] ————-/u/u!@#$%^~!@#$%^&*())
> __++_)(*&^%$——–/u/u!@#$%^~!@#$ %^&*())__++_)(*&^%$——–/u/u!@#$
> %^~!@#$%^&*())__+, etc., etc.
>
> <– End obligatory ascii sig. –>
> +
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