new book: the Future of Art in a Digital Age

Posted by Mel Alexenberg | Thu Aug 17th 2006 8:06 a.m.

Dear Rhizomers,
As fellow explorers at the intersections of art, science, technology, and consciousness, I am sure you will enjoy my new book discused by our colleagues below.

The Future of Art in a Digital Age: From Hellenistic to Hebraic Consciousness
By Mel Alexenberg
Published by Intellect Books, 2006
http://www.intellectbooks.co.uk/ppbooks.php?isbn41501360

In his book, Mel Alexenberg navigates his artistic insight amid the labyrinthian complexities, explosions, and revolutions of the past forty years of art, tracing his way amid questions of science and religion, technology and environment, education, culture, and cosmos. Everyone will find his book full of new vantage points and vistas, fresh insights that give a uniquely personal history of artistic time that indeed points to new and open futures.
- Lowry Burgess, Dean, Professor of Art, Distinguished Fellow of the Studio for Creative Inquiry, Carnegie Mellon University, Pittsburgh.

Mel Alexenberg, a very sophisticated artist and scholar of much experience in the complex playing field of art-science-technology, addresses the rarely asked question: How does the "media magic" communicate content?
- Otto Piene, Professor Emeritus and Director, MIT Center for Advanced Visual Studies, Massachusetts Institute of Technology, Cambridge.

This is a wonderful and important book. The author links the history of art to the important role played by various forms of thinking in the Jewish tradition and connects that to the emerging culture of digital expression. Brilliant insights and new ways of seeing make this a must-read for anyone interested in the intellectual history of images in the 21st Century.
- Ron Burnett, author of How Images Think (MIT Press, 2005), President of Emily Carr Institute of Art and Design in Vancouver, Canada, and Artist/Designer at the New Media Innovation Center.

The Future of Art in a Digital Age: From Hellenistic to Hebraic Consciousness opens new vistas in the attempts to reconcile the newest developments in digital art and postmodern critical perspectives with the ancient concerns of the arts with the spiritual. It offers fresh perspectives in how we can learn from Greek and Jewish thought to understand the present era.
- Stephen Wilson, author of Information Arts: Intersections of Art, Science, and Technology (MIT Press, 2002) and Professor of Conceptual and Information Arts at San Francisco State University.

The author succeeds in opening a unique channel to the universe of present and future art in a highly original and inspiring way. His connection between ancient concepts (Judaism) and the present digital age will force us to thoroughly rethink our ideas about art, society and technology. This book is evidence that Golem is alive!
- Michael Bielicky, Professor of Media Arts at the Academy of Fine Arts in Prague, Czech Republic, and at Hochschule fur Gestaltung, ZKM Center for Art and Media, in Karlsruhe, Germany.

This book is simply a must read analysis for anyone interested in where we and the visual arts are going in our future. Alexenberg has provided us with powerful new lenses to allow us to "see" how postmodern art movements and classical Judaic traditions compliment and fructify one another as the visual arts are now enlarging and adding a spiritual dimension to our lives in the digital era.
- Moshe Dror, co-author of Futurizing the Jews: Alternative Futures for the 21st Century (Praeger, 2003), President of World Network of Religious Futurists, and Israel Coordinator of World Future Society.

This Hebraic-postmodern quest is for a dialogue midway on Jacob's ladder where man and God, artist and society, and artwork and viewer/participant engage in ongoing commentary.
- Randall Rhodes, Professor and Chairman, Department of Visual Art, Frostburg State University, Maryland.
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