New Media Poetics: Contexts, Technotexts and Theories (MIT Press)

Posted by Brian Kim Stefans | Fri Jul 14th 2006 10:17 a.m.

New Media Poetics
Contexts, Technotexts, and Theories
Edited by Adalaide Morris and Thomas Swiss

http://mitpress.mit.edu/catalog/item/?ttype=2&tid918

New media poetry--poetry composed, disseminated, and read on computers--exists in various configurations, from electronic documents that can be navigated and/or rearranged by their "users" to kinetic, visual, and sound materials through online journals and archives like UbuWeb, PennSound, and the Electronic Poetry Center. Unlike mainstream print poetry, which assumes a bounded, coherent, and self-conscious speaker, new media poetry assumes a synergy between human beings and intelligent machines. The essays and artist statements in this volume explore this synergy's continuities and breaks with past poetic practices, and its profound implications for the future.

By adding new media poetry to the study of hypertext narrative, interactive fiction, computer games, and other digital art forms, New Media Poetics extends our understanding of the computer as an expressive medium, showcases works that are visually arresting, aurally charged, and dynamic, and traces the lineage of new media poetry through print and sound poetics, procedural writing, gestural abstraction and conceptual art, and activist communities formed by emergent poetics.

Contributors:
Giselle Beiguelman, John Cayley, Alan Filreis, Loss Pequeno Glazier, Alan Golding, Kenneth Goldsmith, N. Katherine Hayles, Cynthia Lawson, Jennifer Ley, Talan Memmott, Adalaide Morris, Carrie Noland, Marjorie Perloff, William Poundstone, Martin Spinelli, Stephanie Strickland, Brian Kim Stefans, Barrett Watten, Darren Wershler-Henry

Adalaide Morris is John C. Gerber Professor of English at the University of Iowa, where Thomas Swiss is Professor of English and Rhetoric of Inquiry.

Thomas Swiss is Professor of English and Rhetoric of Inquiry at the University of Iowa.

Table of Contents

1. New Media Poetics: As We May Think/How To Write
Adalaide Morris

I. Contexts

2. The Bride Stripped Bare: Nude Media and the Dematerialization of Tony Curtis
Kenneth Goldsmith

3. Toward a Poetics for Circulars
Brian Kim Stefans
Exchange on Circulars (2003)
Brian Kim Stefans and Darren Wershler-Henry

4. Riding the Meridian
Jennifer Ley

5. Electric Line: The Poetics of Digital Audio Editing
Martin Spinelli

6. Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry
Alan Filreis

II. Technotexts

7. Screening the Page/Paging the Screen: Digital Poetics and the Differential Text
Marjorie Perloff

8. Vniverse
Stephanie Strickland and Cynthia Lawson

9. The Time of Digital Poetry: From Object to Event
N. Katherine Hayles

10. 10 Sono at Swoons
Loss Pequeno Glazier

11. Digital Gestures
Carrie Noland

12. 3 Proposals for Bottle Imps
William Poundstone

13. Language Writing, Digital Poetics, and Transitional Materialities
Alan Golding and Giselle Beiguelman

14. Nomadic Poetry

III. Theories

15. Beyond Taxonomy: Digital Poetics and the Problem of Reading
Talan Menmott

16. Time Code Language: New Media Poetics and Programmed Signification
John Cayley

17. Poetics in the Expanded Field: Textual, Visual, Digital . . .
Barrett Watten
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