Summerbranch (2005)

Summerbranch by igloo explores movement and stillness in nature. Using camouflage and other disguises, a person or a computer character can blend into a ‘natural’ environment captured and treated through the moving image. This installation uses the tools of the military-entertainment complex, computer gaming, motion capture, 3D environments and special effects to question what is truth and what is artifice in our attempts to reproduce nature. Through the creation of a computer generated virtual world, Summerbranch seeks to address this by the use of disguise in dance and movement. IGLOO not only investigates the role of the ‘real’ in virtual environments but also that of the reproduction of nature in the history of art and particularly landscape work.

Full Description

Summerbranch by igloo explores movement and stillness in nature. Using camouflage and other disguises, a person or a computer character can blend into a ‘natural’ environment captured and treated through the moving image. This installation uses the tools of the military-entertainment complex, computer gaming, motion capture, 3D environments and special effects to question what is truth and what is artifice in our attempts to reproduce nature. Through the creation of a computer generated virtual world, Summerbranch seeks to address this by the use of disguise in dance and movement. IGLOO not only investigates the role of the ‘real’ in virtual environments but also that of the reproduction of nature in the history of art and particularly landscape work.

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Artist Statement

Summerbranch by igloo explores movement and stillness in nature. Using camouflage and other disguises, a person or a computer character can blend into a ‘natural’ environment captured and treated through the moving image. This installation uses the tools of the military-entertainment complex, computer gaming, motion capture, 3D environments and special effects to question what is truth and what is artifice in our attempts to reproduce nature. Through the creation of a computer generated virtual world, Summerbranch seeks to address this by the use of disguise in dance and movement. IGLOO not only investigates the role of the ‘real’ in virtual environments but also that of the reproduction of nature in the history of art and particularly landscape work.

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