Curated by Maciej Ozog, Bios@Techne@Art is a program of performative events spanning 4 major cities in Poland. The aim is to foster discussion around the role of biotechnologies in performance art, and explore how such framework can inform the cultural perception of the body.
According to each venue, I'll be performing three diverse pieces of biophysical music for the open and free instrument Xth Sense:
- Music for Flesh II, solo piece for enhanced body
- Ominous, incarnated sound sculpture
- Hypo Chrysos, action art for vexed body
Works info
http://marcodonnarumma.com
Xth Sense and biophysical music
http://res.marcodonnarumma.com/projects/xth-sense/
Each concert will also see on stage:
- Maciej Ozog's Transient Body / Liminal Space,
- Gerard Lebik's Tractography Neural Tracts Noise
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WHEN & WHERE:
- 27.03.2013, 7 pm, Gdansk
Laznia Centre for Contemporary Art, Jaskółcza 1, 80-767 Gdansk, Poland
- 28.03.2013, 8 pm, Warsaw
Centre for Contemporary Art Ujazdowski Castle,
ul. Jazdów 2, 00-467 Warsaw, Poland
- 29.03.2013, 8 pm, Wroclaw
Falanster, ul. Św. Antoniego 23, 50-073 Wroclaw
- 02.04.2013, 7 pm, Lodz (Panel discussion)
Art Factory, ul. Tymienieckiego 3, 90-365 Lodz, Poland
- 03.04.2013, 8 pm, Lodz
Art Factory, ul. Tymienieckiego 3, 90-365 Lodz, Poland
For complete details to attend the events see:
http://biointerfaces.333flow.com
Link:
http://biointerfaces.333flow.com/
New media and sonic artist, performer and teacher, Marco Donnarumma was born in Italy and is based between Edinburgh and London. Weaving a thread around biomedia research, musical and theatrical performance, participatory practices and subversive coding, Marco looks at the collision of critical creativity with humanized technologies. His biophysical system Xth Sense won the first prize in the Margaret Guthman Musical Instrument Competition and was named the 2012 “world’s most innovative new musical instrument” by the Georgia Tech Center for Music Technology, US. Recently, he curated the publication Biotechnological Performance Practice (eContact!, 14.2).
Marco has performed and spoken in 30 countries including US and South America, Europe, India, China, South Korea and Australia. His works have been selected at leading art events (ISEA, Venice Biennale, WRO Biennale), specialized festivals (FILE, Sonorities, Némo, Mapping, Piksel, Re-New, Laboral, EMAF) and major academic conferences (NIME, ICMC, Pure Data Convention, Linux Audio Conference@Stanford CCRMA, SICMF).
His projects have been reviewed on Reuters, Wired, Create Digital Music, We Make Money Not Art, Rhizome, Weave, Digicult, and appeared in the book “New Art/Science Affinities” (CMU and Studio for Creative Enquiry, US). Artist in residence at Inspace (UK) and the National School of Theatre and Contemporary Dance (DK). His work has been funded by the European Commission, Creative Scotland, New Media Scotland, and the Danish Arts Council.
Currently, Marco is a PhD student for the Embodied Audio Visual Interaction (EAVI) Research Group at Goldsmiths, University of London, supervised by Professor Atau Tanaka, and fully funded by the European Research Council (ERC).
In the last 2 years Marco has taught over 30 workshops for international academic institutions and media labs on a regular basis, including: UNAM and CENART Mexico; NK, LEAP Berlin; Newcastle CultureLab, University of London, Glasgow Centre for Contemporay Arts in the UK; UPR Universidad de Puerto Rico; Gotland University Institute for New Media Art and Technology in Sweden; Academy of Fine Arts of Brera and Pierluigi da Palestrina Conservatory in Italy.
More from
Marco Donnarumma:
- event: [RADICAL] use of biotechnology to integrate networked bodies and interactive dance
- event: Altered self-perception and incarnated performance in New York, Seoul, Amsterdam, Graz
- event: Biophysical Music Poland Tour - Bios@Techne@Art
- event: Nigredo, new private work for altered self-perception and biomedia - STEIM Preview
- event: Three biomedia performances in Rio de Janeiro: sonic, vexed, networked bodies
- event: Ominous, new work for the Xth Sense at the 5th Live Electronic Music Competition, ECPNM, BE
- event: DMT - a trio of biophysical music, augmented drums, hacked smartphones at ISEA2012, ABQ, NM
- event: Sound, flesh, openness, and biotech in Europe, US, and Brazil
- event: eContact! 14.2 -- Biotech. Performance Practice / Pratiques de performance
- event: Music for Flesh and Xth Sense Biophysical Open Hardware, FILE festival Sao Paulo
John R Math