Dear all,
it's with great pleasure that I announce the release of the latest issue of the journal eContact!.
This issue, for which I've been Guest Editor, concentrates on Biotechnological Performance Practice.
Probably some of the author's name will sound familiar to you.
Thanks to all the contributors for bringing together a wonderful (and long-needed) collection of texts exploring 40 years of practice in this field.
W/ Erich Berger, William Brent, Andrew Brouse, Corrado Cescon, yours truly, Cota Navin Gupta, Peter Kirn, R. Benjamin Knapp, Kiel Long, Pedro Lopes, Eric Lyon, Jaime E. Oliver, Miguel Ortiz, Gascia Ouzounian, Ramaswamy Palanappian, Claudia Robles, STELARC, Joe Stevens, Atau Tanaka, Valery Vermeulen, Peter Votava.
best wishes,
Marco
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PRESS RELEASE -- for immediate diffusion / pour diffusion immédiate
Please forward at large.
Communauté électroacoustique canadienne
(CEC) Canadian Electroacoustic Community
eContact! 14.2 -- Biotechnological Performance Practice /
Pratiques de performance biotechnologique
Guest Editor / Rédacteur invité: Marco Donnarumma
[E] Biological technologies are computational systems driven by physiological and corporeal processes of the body. Endogenous mechanisms that would otherwise be imperceptible become manifest in the form of data. The field of biotechnological music performance is presented here through a set of fascinating articles describing heterogeneous methodologies and idiosyncratic musical ideas. (July 2012)
http://cec.sonus.ca/econtact/14_2
[F] Les technologies biologiques sont des systèmes informatiques pilotés par des processus physiologiques et corporels. Des mécanismes endogènes autrement imperceptibles deviennent apparents, sous forme de données. Composé d'une série d'articles fascinants décrivant des méthodologies hétérogènes et des idées musicales idiosyncrasiques, ce numéro est une introduction au domaine de la performance musicale biotechnologique. (juillet 2012)
http://cec.sonus.ca/econtact/14_2/index_fr.html
Link:
http://cec.sonus.ca/econtact/14_2/
New media and sonic artist, performer and teacher, Marco Donnarumma was born in Italy and is based between Edinburgh and London. Weaving a thread around biomedia research, musical and theatrical performance, participatory practices and subversive coding, Marco looks at the collision of critical creativity with humanized technologies. His biophysical system Xth Sense won the first prize in the Margaret Guthman Musical Instrument Competition and was named the 2012 “world’s most innovative new musical instrument” by the Georgia Tech Center for Music Technology, US. Recently, he curated the publication Biotechnological Performance Practice (eContact!, 14.2).
Marco has performed and spoken in 30 countries including US and South America, Europe, India, China, South Korea and Australia. His works have been selected at leading art events (ISEA, Venice Biennale, WRO Biennale), specialized festivals (FILE, Sonorities, Némo, Mapping, Piksel, Re-New, Laboral, EMAF) and major academic conferences (NIME, ICMC, Pure Data Convention, Linux Audio Conference@Stanford CCRMA, SICMF).
His projects have been reviewed on Reuters, Wired, Create Digital Music, We Make Money Not Art, Rhizome, Weave, Digicult, and appeared in the book “New Art/Science Affinities” (CMU and Studio for Creative Enquiry, US). Artist in residence at Inspace (UK) and the National School of Theatre and Contemporary Dance (DK). His work has been funded by the European Commission, Creative Scotland, New Media Scotland, and the Danish Arts Council.
Currently, Marco is a PhD student for the Embodied Audio Visual Interaction (EAVI) Research Group at Goldsmiths, University of London, supervised by Professor Atau Tanaka, and fully funded by the European Research Council (ERC).
In the last 2 years Marco has taught over 30 workshops for international academic institutions and media labs on a regular basis, including: UNAM and CENART Mexico; NK, LEAP Berlin; Newcastle CultureLab, University of London, Glasgow Centre for Contemporay Arts in the UK; UPR Universidad de Puerto Rico; Gotland University Institute for New Media Art and Technology in Sweden; Academy of Fine Arts of Brera and Pierluigi da Palestrina Conservatory in Italy.
More from
Marco Donnarumma:
- event: [RADICAL] use of biotechnology to integrate networked bodies and interactive dance
- event: Altered self-perception and incarnated performance in New York, Seoul, Amsterdam, Graz
- event: Biophysical Music Poland Tour - Bios@Techne@Art
- event: Nigredo, new private work for altered self-perception and biomedia - STEIM Preview
- event: Three biomedia performances in Rio de Janeiro: sonic, vexed, networked bodies
- event: Ominous, new work for the Xth Sense at the 5th Live Electronic Music Competition, ECPNM, BE
- event: DMT - a trio of biophysical music, augmented drums, hacked smartphones at ISEA2012, ABQ, NM
- event: Sound, flesh, openness, and biotech in Europe, US, and Brazil
- event: eContact! 14.2 -- Biotech. Performance Practice / Pratiques de performance
- event: Music for Flesh and Xth Sense Biophysical Open Hardware, FILE festival Sao Paulo
John R Math