On July 6, 2012, Kenya (Robinson) will report back from the midway point of her time spent as the inaugural artist in Recess’s online residency program, Analog. Over the past year, the artist developed Remitting Default: A Psycho-economic Performance of Getting Skooled. This project records her experience as a black MFA student at Yale University while struggling to maintain her personal finances and secure fiscal support. Rendering her private education public, (Robinson) posted a daily record of the available balance in her personal checking account, This information is fully accessible at recessanalog.org.
To mark the midpoint of this durational performance of the mundane, on July 6th, (Robinson) will again transcend privatized aspects of culture and language in an attempt to present her own “personal fiscal rhythm,”1, She invited five artists to translate her year’s worth of numerical data into sound. These collaborators will present audio material that references the dichotomies of vulnerability and empowerment, digital and analog.
1. Kenya (Robinson), June 13 2012
As performed by: Kevin Beasley, Christine Sun Kim, Eric Mack, Nontsikelelo Mutiti, Kenya (Robinson), Tim Wilson
Link:
http://www.recessart.org/activities/5552
Address:
Recess
41 Grand Street
New York, New York NY 10013
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Recess’s mission is to support the creative process of contemporary artists by providing a space for
productive activity and a platform for a partnership with the public. By offering artists flexible work/ exhibition space, artists are given agency to determine the visibility of their work and the parameters of its presentation.
Free of charge and open to the public, Recess facilitates everyday interactions between artists and the
community in order to promote the productive space of the working artist as a site of valuable visual and intellectual interactions. Our endeavors offer critical exposure for the artists we support while fostering an inclusive environment in which artists and the public can engage in a meaningful exchange of art and ideas.
Recess was formed in May 2009 to address concerns that emerging artists cannot afford to live or work
in proximity to exhibition communities. Securing a platform to gain visibility and develop creative goals and a professional career is often a daunting task. The organization was likewise founded to actively respond to changing modes of production. Contemporary artwork, unlike more traditional forms, can be site-specific, performance-based or ephemeral in nature. The traditional gallery space is often unable to accommodate the interactive, process-based artistic production. The artist’s studio is also changing: no longer bound to conventional space, the studio of the contemporary artist is the street, the gallery, or anywhere the practitioner chooses to work. Session was conceived to directly take on the evolving conditions of contemporary art, realizing ambitious projects that don’t always “fit” in the customary context.
marc garrett