May 30 - July 28, 2012
Reception: Thursday July 5th, 2012, 6:00-8:00 pm
Abigail DeVille will begin work on Invisible Men, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public spaceas studio, exhibition venue and grounds for experimentation. For Invisible Men, DeVille will amass bricolage, painting, and sculpture into a selective history of culturally invisible classes of people as a means of reflecting upon the material culture of the present moment.
Link:
http://www.recessart.org/activities/5508
Address:
Recess in Red Hook
159 Pioneer Street
Brooklyn, New York NY 10013
United States of America
Recess’s mission is to support the creative process of contemporary artists by providing a space for
productive activity and a platform for a partnership with the public. By offering artists flexible work/ exhibition space, artists are given agency to determine the visibility of their work and the parameters of its presentation.
Free of charge and open to the public, Recess facilitates everyday interactions between artists and the
community in order to promote the productive space of the working artist as a site of valuable visual and intellectual interactions. Our endeavors offer critical exposure for the artists we support while fostering an inclusive environment in which artists and the public can engage in a meaningful exchange of art and ideas.
Recess was formed in May 2009 to address concerns that emerging artists cannot afford to live or work
in proximity to exhibition communities. Securing a platform to gain visibility and develop creative goals and a professional career is often a daunting task. The organization was likewise founded to actively respond to changing modes of production. Contemporary artwork, unlike more traditional forms, can be site-specific, performance-based or ephemeral in nature. The traditional gallery space is often unable to accommodate the interactive, process-based artistic production. The artist’s studio is also changing: no longer bound to conventional space, the studio of the contemporary artist is the street, the gallery, or anywhere the practitioner chooses to work. Session was conceived to directly take on the evolving conditions of contemporary art, realizing ambitious projects that don’t always “fit” in the customary context.
Gloria Sutton