||||| Biophysical Music, Sonic Flesh theory and Body Hacking courses ||||
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Dear all,
hoping it might be of your interest,
I'm sharing with you the schedule of the upcoming USA Tour.
I'll be performing, teaching and speaking with and about the Xth Sense in 5 cities on the East Coast.
See the planned events below, and feel free to get in touch if you happen to be in the area.
http://marcodonnarumma.com/works/xth-sense/
http://marcodonnarumma.com/works/music-for-flesh-ii
For detailed information you're welcome to visit:
http://marcodonnarumma.com/calendar
You can still book a place for the Xth Sense workshop in New York at:
http://bit.ly/JEwto0
best wishes.
M
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||| ACM - CHI 2012 Liveness
||| 5-10 May
||| Austin Conference Center, Texas
- Presentation “Xth Sense: recoding visceral embodiment”
Other presenters include Toby Harris, Maria Lantin and Leila Sujir, among the others.
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||| They, Who Sound
||| 7 May
||| Avant Garden, 411 Westheimer, Houston, Texas.
- Performing “Music for Flesh II”, interactive music piece for enhanced body.
- Performing “Nascent”, incarnated sound sculpture, US Premiere;
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||| Washington DC
||| 15 May.
|||American University, Washington DC.
A night of Biophysical music with Marco Donnarumma.
- Performing “Music for Flesh II”;
- Performing “Nascent”;
- Open Workshop “Performing incarnated sound: the Xth Sense”.
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||| Tanaka/Donnarumma, Mobile and biophysical music
||| 18 May
||| Spectrum, 115 West 23rd Street #22, Manhattan, New York.
- Performing “Music for Flesh II”.
Also on stage Atau Tanaka with his mobile musical instruments.
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||| Xth Sense Workshop New York
||| 19-20 May
||| Harvestworks, Manhattan, New York.
- Workshop “Xth Sense, Biophysical Music”.
Hands-on training in augmentation of the body for musical performance.
Build your own low cost biosensing wearable device for muscle sounds.
Book a place at: http://bit.ly/JEwto0
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||| NIME Conference
||| 21-23 May
||| University of Michigan, Ann Arbor, Michigan.
- Performing “Music for Flesh II”;
- Poster “Music for Flesh II: informing interactive music performance with the viscerality of the body system”
Picture courtesy of Bence Kollanyi
http://picasaweb.google.com/benceatlanta
Link:
http://marcodonnarumma.com/calendar
New media and sonic artist, performer and teacher, Marco Donnarumma was born in Italy and is based between Edinburgh and London. Weaving a thread around biomedia research, musical and theatrical performance, participatory practices and subversive coding, Marco looks at the collision of critical creativity with humanized technologies. His biophysical system Xth Sense won the first prize in the Margaret Guthman Musical Instrument Competition and was named the 2012 “world’s most innovative new musical instrument” by the Georgia Tech Center for Music Technology, US. Recently, he curated the publication Biotechnological Performance Practice (eContact!, 14.2).
Marco has performed and spoken in 30 countries including US and South America, Europe, India, China, South Korea and Australia. His works have been selected at leading art events (ISEA, Venice Biennale, WRO Biennale), specialized festivals (FILE, Sonorities, Némo, Mapping, Piksel, Re-New, Laboral, EMAF) and major academic conferences (NIME, ICMC, Pure Data Convention, Linux Audio Conference@Stanford CCRMA, SICMF).
His projects have been reviewed on Reuters, Wired, Create Digital Music, We Make Money Not Art, Rhizome, Weave, Digicult, and appeared in the book “New Art/Science Affinities” (CMU and Studio for Creative Enquiry, US). Artist in residence at Inspace (UK) and the National School of Theatre and Contemporary Dance (DK). His work has been funded by the European Commission, Creative Scotland, New Media Scotland, and the Danish Arts Council.
Currently, Marco is a PhD student for the Embodied Audio Visual Interaction (EAVI) Research Group at Goldsmiths, University of London, supervised by Professor Atau Tanaka, and fully funded by the European Research Council (ERC).
In the last 2 years Marco has taught over 30 workshops for international academic institutions and media labs on a regular basis, including: UNAM and CENART Mexico; NK, LEAP Berlin; Newcastle CultureLab, University of London, Glasgow Centre for Contemporay Arts in the UK; UPR Universidad de Puerto Rico; Gotland University Institute for New Media Art and Technology in Sweden; Academy of Fine Arts of Brera and Pierluigi da Palestrina Conservatory in Italy.
More from
Marco Donnarumma:
- event: [RADICAL] use of biotechnology to integrate networked bodies and interactive dance
- event: Altered self-perception and incarnated performance in New York, Seoul, Amsterdam, Graz
- event: Biophysical Music Poland Tour - Bios@Techne@Art
- event: Nigredo, new private work for altered self-perception and biomedia - STEIM Preview
- event: Three biomedia performances in Rio de Janeiro: sonic, vexed, networked bodies
- event: Ominous, new work for the Xth Sense at the 5th Live Electronic Music Competition, ECPNM, BE
- event: DMT - a trio of biophysical music, augmented drums, hacked smartphones at ISEA2012, ABQ, NM
- event: Sound, flesh, openness, and biotech in Europe, US, and Brazil
- event: eContact! 14.2 -- Biotech. Performance Practice / Pratiques de performance
- event: Music for Flesh and Xth Sense Biophysical Open Hardware, FILE festival Sao Paulo
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