Recess in conjunction with The Public School New York Presents: A four-night theoretical exploration of mysticism in dialogue with Du noir univers, a text by François Laruelle.
Classes will begin at 7pm. Visitors are welcome to join each day or a selection of days. RSVP encouraged.
Recess will house a temporary library of relevant texts, which visitors may browse and annotate freely throughout Recess’s public hours and during the classes. The exhibition will feature visual works by Clodagh Emoe and Aaron Mette, and audio works by Eugene Thacker and Taku Unami.
Night I: Eugene Thacker – Remote: The Forgetting of the WorldClodagh Emoe – Mystical Anarchism. Screening and discussion. Introduced by Simon Critchley.
Night II: Daniel Colucciello Barber – Whylessness: The Universe is Deaf and Blind.
Night III: Nicola Masciandaro – Secret: No Light Has Ever Seen the Black Universe.
Night IV: Alexander Galloway – Rocket: Present at Every Point of the Remote.
To read more, RSVP, download the press release + related reading material visit ::: http://www.recessart.org/activities/5136.
Link:
http://www.recessart.org/activities/5136
Address:
Recess
41 Grand Street
New York, New York NY 10013
United States of America
Recess’s mission is to support the creative process of contemporary artists by providing a space for
productive activity and a platform for a partnership with the public. By offering artists flexible work/ exhibition space, artists are given agency to determine the visibility of their work and the parameters of its presentation.
Free of charge and open to the public, Recess facilitates everyday interactions between artists and the
community in order to promote the productive space of the working artist as a site of valuable visual and intellectual interactions. Our endeavors offer critical exposure for the artists we support while fostering an inclusive environment in which artists and the public can engage in a meaningful exchange of art and ideas.
Recess was formed in May 2009 to address concerns that emerging artists cannot afford to live or work
in proximity to exhibition communities. Securing a platform to gain visibility and develop creative goals and a professional career is often a daunting task. The organization was likewise founded to actively respond to changing modes of production. Contemporary artwork, unlike more traditional forms, can be site-specific, performance-based or ephemeral in nature. The traditional gallery space is often unable to accommodate the interactive, process-based artistic production. The artist’s studio is also changing: no longer bound to conventional space, the studio of the contemporary artist is the street, the gallery, or anywhere the practitioner chooses to work. Session was conceived to directly take on the evolving conditions of contemporary art, realizing ambitious projects that don’t always “fit” in the customary context.
marc garrett