On January 10th, John Miserendino began work on his project, Pavilion, as part of Recess’s signature program, Session. Session invites artists to use its public space as studio, exhibition venue and grounds for experimentation.
February 17, from 6 to 8 pm, Recess will host a reception marking the middle of Miserendino's residency. The residency will continue through March 10th, 2012.
For Pavilion, Miserendino will reinterpret Dan Graham’s original plans for his architectural structures. The artist, who sees himself as a collaborator with Graham and other prominent players—who may remain unaware of the joint venture—will stage a series of three reenactments inside his Pavilion to translate existing artworks into personal terms.
Link:
http://www.recessart.org/activities/4375
Address:
Recess
41 Grand Street
New York, New York Soho 10013
United States of America
Recess’s mission is to support the creative process of contemporary artists by providing a space for
productive activity and a platform for a partnership with the public. By offering artists flexible work/ exhibition space, artists are given agency to determine the visibility of their work and the parameters of its presentation.
Free of charge and open to the public, Recess facilitates everyday interactions between artists and the
community in order to promote the productive space of the working artist as a site of valuable visual and intellectual interactions. Our endeavors offer critical exposure for the artists we support while fostering an inclusive environment in which artists and the public can engage in a meaningful exchange of art and ideas.
Recess was formed in May 2009 to address concerns that emerging artists cannot afford to live or work
in proximity to exhibition communities. Securing a platform to gain visibility and develop creative goals and a professional career is often a daunting task. The organization was likewise founded to actively respond to changing modes of production. Contemporary artwork, unlike more traditional forms, can be site-specific, performance-based or ephemeral in nature. The traditional gallery space is often unable to accommodate the interactive, process-based artistic production. The artist’s studio is also changing: no longer bound to conventional space, the studio of the contemporary artist is the street, the gallery, or anywhere the practitioner chooses to work. Session was conceived to directly take on the evolving conditions of contemporary art, realizing ambitious projects that don’t always “fit” in the customary context.
Gloria Sutton