Dear all,
I'm glad to inform you about this event.
At the moment I'm artist in residence at Inspace, Edinburgh, developing a site specific, multichannel and participatory work for 10 biosensing wearable devices (Xth Sense).
The piece will be premiered tomorrow Tuesday along with my other work for biosensing device Music for Flesh II; further info below.
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Inspace is a laboratory that explores the cultural significance of informatics and new media practice.
Inspace is home to a joint research partnership between the School of Informatics and New Media Scotland.
href="http://inspace.mediascot.org">http://inspace.mediascot.org
Tuesday 15th March 2011, 7.30 for 8pm.
Inspace, 1 Crichton Street, Edinburgh EH8 9AB
As a part of our Non-Bio Boom season we are delighted to host a new work development residency by Marco Donnarumma, with Brendan F Doyle (Production Sound Engineering). The residency will conclude with two concerts over the course of one evening for bio-sensing wearable technologies.
The first concert will include Music for Flesh II (http://bit.ly/etX0N1), a new solo piece by Marco Donnarumma; the second concert will be the premiere of a multi-channel work specifically created by the artist for Inspace, which will actively involve the audience in an augmented Cagean Musicircus.
Admission free, but on-line booking is required: http://xthsense.eventbrite.com/
Xth Sense is an ongoing research project which investigates experimental applications of Open Source based, bio-sensing technologies for musical performance and responsive milieux.
The Xth Sense software framework is implemented in Pure Data.
Further information: http://res.marcodonnarumma.com/projects/xth-sense/
Marco Donnarumma is a performer, new media and sonic artist currently interested in critical analysis and development of experimental paradigms for embodied interaction in performative environments.
http://marcodonnarumma.com
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Picture Courtesy of http://www.chrisdonia.co.uk/
Link:
http://inspace.mediascot.org/non-bioboom/xthsense
Address:
Inspace
1 Crichton Street
United Kingdom of Great Britain and Northern Ireland
New media and sonic artist, performer and teacher, Marco Donnarumma was born in Italy and is based between Edinburgh and London. Weaving a thread around biomedia research, musical and theatrical performance, participatory practices and subversive coding, Marco looks at the collision of critical creativity with humanized technologies. His biophysical system Xth Sense won the first prize in the Margaret Guthman Musical Instrument Competition and was named the 2012 “world’s most innovative new musical instrument” by the Georgia Tech Center for Music Technology, US. Recently, he curated the publication Biotechnological Performance Practice (eContact!, 14.2).
Marco has performed and spoken in 30 countries including US and South America, Europe, India, China, South Korea and Australia. His works have been selected at leading art events (ISEA, Venice Biennale, WRO Biennale), specialized festivals (FILE, Sonorities, Némo, Mapping, Piksel, Re-New, Laboral, EMAF) and major academic conferences (NIME, ICMC, Pure Data Convention, Linux Audio Conference@Stanford CCRMA, SICMF).
His projects have been reviewed on Reuters, Wired, Create Digital Music, We Make Money Not Art, Rhizome, Weave, Digicult, and appeared in the book “New Art/Science Affinities” (CMU and Studio for Creative Enquiry, US). Artist in residence at Inspace (UK) and the National School of Theatre and Contemporary Dance (DK). His work has been funded by the European Commission, Creative Scotland, New Media Scotland, and the Danish Arts Council.
Currently, Marco is a PhD student for the Embodied Audio Visual Interaction (EAVI) Research Group at Goldsmiths, University of London, supervised by Professor Atau Tanaka, and fully funded by the European Research Council (ERC).
In the last 2 years Marco has taught over 30 workshops for international academic institutions and media labs on a regular basis, including: UNAM and CENART Mexico; NK, LEAP Berlin; Newcastle CultureLab, University of London, Glasgow Centre for Contemporay Arts in the UK; UPR Universidad de Puerto Rico; Gotland University Institute for New Media Art and Technology in Sweden; Academy of Fine Arts of Brera and Pierluigi da Palestrina Conservatory in Italy.
More from
Marco Donnarumma:
- event: STEIM Summer Party, Amsterdam
- event: [RADICAL] use of biotechnology to integrate networked bodies and interactive dance
- event: Altered self-perception and incarnated performance in New York, Seoul, Amsterdam, Graz
- event: Biophysical Music Poland Tour - Bios@Techne@Art
- event: Nigredo, new private work for altered self-perception and biomedia - STEIM Preview
- event: Three biomedia performances in Rio de Janeiro: sonic, vexed, networked bodies
- event: Ominous, new work for the Xth Sense at the 5th Live Electronic Music Competition, ECPNM, BE
- event: DMT - a trio of biophysical music, augmented drums, hacked smartphones at ISEA2012, ABQ, NM
- event: Sound, flesh, openness, and biotech in Europe, US, and Brazil
- event: eContact! 14.2 -- Biotech. Performance Practice / Pratiques de performance
Michael Connor