G. H. Hovagimyan is an experimental cross media, new media and performance artist who lives and works in New York City. He was born 1950 in Plymouth, Massachusetts. In 1972, He received a B.F.A from the University of the Arts in Philadelphia, Pennsylvania and received an MA from New York University in 2005. He is a professor at the School of Visual Arts in the MFA Computer Arts Department. He was one of the first artist's in New York to start working in Internet Art in 1993 with such artist's online groups as, the thing, ArtNetWeb, and Rhizome. He has collaborated with English/French sound artist Peter Sinclair (sound artist) on a number of works. <br> From 1973 to 1986 he was involved in the SoHo and Lower East Side underground art scene. He exhibited a rigorously conceptual art show at 112 Workshop in 1973. He was a friend of the artist Gordon Matta-Clark who was also involved in 112 Workshop. He worked with Matta-Clark on several projects namely; Days’ End, Conical Intersect, Walking Man’s Arch, and Underground Explorations. In 1974 during the video-performance series at 112 Greene Street, he performed opposite Spaulding Gray in Richard Serra's video, A Prisoner's Dilemma.<br> Much of his early work was ephemeral in nature. It involved performance art, written and language works and temporary installations in galleries. A word piece, Tactics for Survival in the New Culture, was exhibited in "The Manifesto Show" (1979) organized by the artist collective colab. This particular piece was to become the basis for one of his first online hypertext works in 1993. He showed in several group exhibitions organized by Jean Dupuy, a French Fluxus artist living in New York at 405 E. 13th Street. In 1980 he did a series of punk performance pieces for Artist's Space series called Open Mic. One piece, Rich Sucker Rap was recorded by Davidson Gigliotti for a video tape called Chant Accapella which Electronic Arts Intermix carries in its catalog. He also performed in several No Wave Cinema films among them, The Offenders(1980) by Scott B & Beth B and The Deadly Art of Survival by Charles Ahearn. In the early 1990’s he started working in Media Art and New Media Art. Some of the pieces involve using a combination of photographs and text, often mimicking advertising. In May, 1994 his twenty billboard project for Creative Time, Hey Bozo… Use Mass Transit, received quite a bit of press. The work was seen on several newscasts such as Good Day New York, and the NBC Nightly News (nationally). It was written up in the NY Post, NY Daily News, The New York Times, etc. A telephone interview with the artist and a report on the project was distributed over the AP newswire. Around the same time he began working with computers and the internet. One of the earliest internet artists, his first pieces, BKPC, Art Direct and, Faux Conceptual Art, were written about in the art magazines Art in America ( Robert Atkins, 1995 Art in America, December, “Art On Line” pp.63) and Art Press (Special Issue, Techno: Anatomy of electronic culture, 1998) France. He also hosted an internet radio/TV talk show called Art Dirt. The first of it's kind, Art Dirt, is part of the Walker Art Center's Digital Studies Archives collection. Of his collaborative works with Peter Sinclair, the most well known are a Soapopera for Laptops/ iMacs, Shooter and Rant/ Rant Back/ Back Rant. Shooter, an immersive sound and laser installation was developed at Eyebeam Atelier as part of its’ Artist in Residence program.