
REVELATION 2213
I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
REVELATION 2213, (2009) is an interactive networked video installation incorporating live video feed and real-time chromakey. The installation is configured to allow participants to see themselves mapped in real-time against an exploding nuclear bomb.
The piece creates a scenario in which participants are required to negotiate their corporeal bodies with a background video created from animated photographs of nuclear atmospheric tests. Physical reality is combined with a ‘virtual’ space, yielding a new hybrid-reality.
For the most part, the bomb exists in collective memory and imagination. The only people who have ever had to negotiate their corporeality with the bomb are those in Japan along with the soldiers and local inhabitants near nuclear test sites.
How will people respond when seeing themselves, their bodies, in the hybrid space? Are U.S. civil defense drills so deeply engrained that they will perform these steps? Will they make gestures to protect themselves? Will they enact fear? Run away? Or will they remain strong in the face of their own mortality?
Whatever the response, participants can take a snapshot of themselves occupying the hybrid space with the bomb and performing such gestures. These snapshots will immediately upload to http://www.revelation2213.com which will house the archive of ‘performances’. The website will grow over time to hold an archive of up to one million photographs documenting the participants actions.
REVELATION 2213 is currently installed in the solo exhibition, TEN MILLION DEGREES at:
Lawrimore Project
831 Airport Way South
Seattle, WA 98134
http://www.lawrimoreproject.com
February 5 - March 14, 2009
Link:
http://www.revelation2213.com
Claudia X. Valdes was born in Santiago, Chile. Her family moved to the United States when she was three years old. Her undergraduate studies at UC Berkeley included architecture, modern dance and fine art. In 2001, she received an M.F.A. from UC Berkeley.
Between 2001-2009 Valdes’ art practice exclusively focused on the history of U.S. nuclear arms. Her creative response to this subject was coupled with research into military and scientific documents, media-produced responses, conversations with nuclear physicists, examination of literary and video documentary accounts of A-bomb survivors, the collection of present-day text-based memories by the general public about the Cold War, and visits to historic nuclear sites in the US.
She has created over 40 nuclear-themed artworks that she collectively calls TEN MILLION DEGREES - single channel digital videos for installation and cinematic contexts, hybrid print/video works, digitally produced photographs, paintings, watercolors, performances, and an interactive networked installation designed to elicit participant performances.
Works from TEN MILLION DEGREES (2001-2009) have exhibited internationally including at the Institute of Contemporary Arts, London; Museum of Contemporary Art, Chicago; WRO Center for Media Art, Wroclaw, Poland; the Armory Center for the Arts, Pasadena, CA; Mills College Art Museum, Oakland; the UCR/California Museum of Photography; Centro Multimedia/Centro National de las Artes, Mexico; the Werkstätten und Kulturhaus, Austria; the National Centre for Contemporary Art in Moscow, Russia; San Jose Institute of Contemporary Art, CA; Seattle Art Museum, WA; Charles B. Wang Center, SUNY Stony Brook; Exit Art, NY; Bauhaus-Universität, Weimar, Germany; San Francisco Art Institute/Walter McBean Gallery; and the Instituto Chileno Norteamericano, Santiago, Chile. A 5,000 ft2 solo retrospective, entitled TEN MILLION DEGREES, was featured at Lawrimore Project in Seattle, WA (2009).
Valdes has received numerous honors for her creative work including a 2008 Scholarship from the Santa Fe Art Institute; a 2007 Artist Grant from the Puffin Foundation; Honorable Mention at the 2006 Transmediale festival for art and digital culture in Berlin, Germany; and a 2006 Creative Capital Professional Development Retreat at the Santa Fe Art Institute. In 2001 she received UC Berkeley’s highest honor in art, the Eisner Prize, and she was an Affiliate Artist at the Headlands Center for the Arts from 2001-2003.
She developed and taught digital media art courses at UC Berkeley, the Center for Digital Arts and Experimental Media at the University of Washington, Seattle, UC Santa Cruz, and at Mills College and Stanford University as a Visiting Artist. Academic honors include a Summer Institute in the Arts and Humanities faculty appointment within the Walter Chapin Simpson Center for the Humanities at the University of Washington.
Valdes is Assistant Professor of Electronic Arts at the University of New Mexico. Between 2006-07 she was Associate Director of the Arts Technology Center within the College of Fine Arts at UNM. Between 2007-2009 she was also Associate Director of UNM’s university-wide interdisciplinary research center, ARTS Lab (The Art, Research, Technology & Science Laboratory).
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