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SOUSVEILLANCE CULTURE CONFERENCE
Saturday, April 26, 2008
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Presentations on the theory & practice of surveillance and contemporary protest art, by graduate students in the ITP program at NYU's Tisch School of the Arts.
The presenters' talks will be grouped into four panels, to be moderated by their Professor, Marisa Olson (Curator at Large, Rhizome), on topics ranging from voyeurism and play to intervention and networks of control. These panels will consist of both artist talks and critical essays, and audience members will be invited to give feedback on a few works in progress.
Venue: The Change You Want to See Gallery
84 Havemeyer @ Metropolitan, Brooklyn, NY 11211
L to Bedford or Lorimer, G to Metropolitan, J/M/Z to Marcy
http://www.thechangeyouwanttosee.org
Hours: 12-5 pm, Saturday, April 26, 2008
Program:
11:45 Open Seating
12:00 Welcome & Introduction, Marisa Olson
12:05-1:15 Voyeurism vs. Exhibitionism: Online and In the Streets
Panelists: Allistar Peters and Meng Li, Ana Maria Gutierrez, Heather Rasley
1:15-2:00 Watchful Intervening: From Scientologists to Spy Shops
Panelists: Amanda Bernsohn and Kacie Kinzer, Syed Salahuddin
2-3:30 Playtime: Games, Toys, and Entertainment
Panelists: Oscar Torres, Scott Hoffer, Shlomit Lehavi and Leah Gilliam
3:30-5 Looking at Control: From Candidate Self-Surveillance to Wireless Subversion
Panelists: Michael Clemow and Tom Jenkins, Alberto Tafoya, Emery Martin
About the venue:
The Change You Want To See is the gallery and convergence stage run by the activist arts collective Not An Alternative.
Link:
http://www.thechangeyouwanttosee.org
Marisa Olson is an artist, writer, and media theorist. Her interdisciplinary work has been exhibited at the Venice Biennale, Centre Pompidou, Tate(s) Modern + Liverpool, the Nam June Paik Art Center, British Film Institute, Sundance Film Festival, PERFORMA Biennial, and has been commissioned and collected by the Whitney Museum, Museum of Modern Art, Houston Center for Photography, Experimental Television Center, and PS122. This work's been reviewed in Artforum, Art21, Liberation, Folha de Sao Paolo, the Village Voice, and elsewhere. New York Magazine has called Marisa one of the Top Five video artists working online, Wired has called her both funny and humorous, the New York Times once called her "anything but stupid," and the Wall Street Journal considers her their "Walkman Historian" of choice.
Marisa actively contributes to the field, writing for many major art publications, ranging from magazines & exhibition catalogs to academic journals and chapters in books on the history and theory of media art. She has served as Editor & Curator at Rhizome, the inaugural curator at Zero1, and Associate Director at SF Camerawork, whose Journal she edited. In 2013 LINK Editions will publish a retrospective anthology of over a decade of her writings on contemporary art which have helped establish a vocabulary for the criticism of new media. Meanwhile, Marisa has also curated programs at the Guggenheim, New Museum, SFMOMA, White Columns, and Artists Space. She has served on Advisory Boards for Ars Electronica, Transmediale, ISEA, the International Academy of Digital Arts & Sciences, Creative Capital, EYEBEAM, the Getty Foundation, the Rockefeller Foundation, the Kennedy Center, and the Tribeca Film Festival.
Marisa studied Fine Art at Goldsmiths, History of Consciousness at UC Santa Cruz, and Rhetoric & Film Studies at UC Berkeley. She has recently been a visiting artist at Yale, Oberlin, VCU, UC-Boulder's Brakhage Symposium, Penn State, Visiting Faculty at Bard College's Milton Avery Graduate School of the Arts, and Visiting Faculty at the School of the Art Institute of Chicago's Ox-Bow program. She previously taught at NYU's Tisch School of the Arts' new media graduate program and was Assistant Professor of New Media at SUNY-Purchase's School of Film & Media Studies. She is currently Visiting Critic at Brown University.
marc garrett